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I love Wes Anderson films, which are quirky and funny.

I was a good student until I turned 15. Then, all of a sudden, it didn't matter to me anymore. Isn't that funny. I don't want to go to college. I always knew that. But it's hard. My friends are going, and I feel a little left behind.

The young Dickens was so alive, so self-confident, so funny.

I make a point to tweet out really funny comments I get on YouTube videos. I have the most ridiculous ones.

I came to work one day, and Ricky was playing music on his guitar, just snickering. He played me the riff that turned out to be 'Rock Lobster,' and it was hilarious. He was just trying to be funny. His guitar style made it moodier, and it really is a driving song, but it does have that funny humor to it.

I'd love to get into some comedy, but people keep saying, 'You're not funny!' And I say, 'Well, fair enough.' I have done comedy on stage.

What intrigued me about him was his intelligence, his humor. I'd been all over the world. I had started a career. At that point, I had sort of committed myself to not committing. I didn't want to have to raise a husband, but he was so sophisticated and so funny.

My first draft of Marvel Knights 'Black Panther' was not funny at all. They smartly rejected the entire script and counseled me to inject liberal doses of humor into very serious subject matter.

I never really considered 'Quantum & Woody' a comedic book or a funny book. I never thought of it as a satire.

The only thing that matters to me about my stories is that they're entertaining and they're funny. And I tend to get bored easily, so I generally throw something supernatural in. I would say they're humorous novels that have a supernatural bent, but that's as close as you're going to get to fitting them all in the same basket.

The reason I'm writing funny books is that I wish there were more.

One thing that's really delightful is my books tend to attract people who are funny, so I get the benefit of people writing me with things that crack me up.

You can't teach someone to be funny, but you can teach comic timing. If you listen to a good comic, you can learn how to put it on a page.

I like expensive-looking, nuanced, hour-long dramas that don't smell like regular TV. That and cheap, funny shows that feel like one guy made them by himself. So ... artisanal television?

I think it's more fun to grow to love characters who are flawed than it is to present perfect characters. Perfect characters aren't very funny. Certainly my friends are a strange, intense bunch of people, and people's families drive them crazy, but challenging relationships are always more rewarding.

Simon Pegg is terribly talented, very funny, such a delicious sense of humour.

I like to play music, and I like to be funny, so I just do both at the same time.

People who take themselves too seriously, who can't see anything else, are usually funny.

What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.

I watch mostly documentaries and things that aren't remotely funny.

I get asked, 'Who would you really like to work with?' I'm already working with them. Smart, talented, funny people, good musicians, an extended family, good friends.

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