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Of my English friends, I should find language too poor to speak the just praise and the excellence which shines in their characters and lives.
It is of no use to commit whole pages to memory, merely to recite them once without hesitation; you must think of the meaning more than the words - of the ideas more than the language.
I start with the story, almost in the old campfire sense, and the story leads to both the characters, which actors should best be cast in this story, and the language. The choice of words, more than anything else, creates the feeling that the story gives off.
The language of my books has shaped me as a man.
One truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language.
Jazz came from the streets, hip-hop came from the streets. It's just a different language. It's all borne out of hard times, struggle, and the fight to have equality and things be better.
I've had a fair amount of experience with snakes, and I find them to be pretty honest in terms of how you read their body language and emotions. They'll tell you when they're grumpy. They'll tell you when they're okay.
Some people accuse the new generation of being ignorant, maybe ignorant for the old generation, but it's a new language.
It doesn't matter to me where am I going. Language is not a barrier for me, I can go anywhere with my craft, so why not Hollywood?
Usually male directors have to use foul language to get the job done. But I never came down to that level as being a women I wanted to keep my respectability intact.
The good thing about not speaking the language is you just listen. You listen to everyone, every producer, every writer.
I'm close to the Brazilians, especially Fabinho because of the language, but I also have a good relationship with Jordan Henderson, James Milner, Trent Alexander-Arnold and Andy Robertson.
When the media's around, I try to be careful. I don't want to make a mistake or use bad language, and I have to really concentrate because of the language barrier.
I believe every person has a story that comes out from the way they talk, their opinion, their mindset and their body language.
I usually just speak in English when I'm on the basketball court. For some reason, my mind never even tried to cross any other language when I'm playing basketball.
I am my father's daughter: I have his language, his expressions.
As for most writers, language is vital for me: a writer's ability to render a fictional world - characters, landscape, emotions - into something original that alters or deepens my understanding of both literature and life.
I was looking for a name with an old English sound, very easy to pronounce in every language and easy to remember. At the beginning I used J. P. Tod's, but then in 1999 it was shortened since too many people were asking who was Mr. J. P. Tod's.
Sloppy language leads to sloppy thought, and sloppy thought to sloppy legislation.
For many people, when they come to Twitter, the language is opaque. We need to push the scaffolding to the background and bring the content forward. The media, the photos, the videos.
Still, language is resilient, and poetry when it is pressured simply goes underground.
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