Quotes on Lines

There's a simple way to look at gender: Once upon a time, someone drew a line in the sans of culture and proclaimed with great self-importance, 'On this site, you are a man; on the other side, you are a woman.' It's time for the winds of change to blow that line away. Simple.

Below an income of ... $60,000 a year, people are unhappy, and they get progressively unhappier the poorer they get. Above that, we get an absolutely flat line. ... Money does not buy you experiential happiness, but lack of money certainly buys you misery.

The times are squalid. They always were. It is a poet's duty to hold the line.

Every body persists in a state of rest or of uniform motion in a straight line, unless it is compelled to change that state by forces having impact upon it.

We know there is no progress in a straight line.

You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face.... The danger lies in refusing to face the fear, in not daring to come to grips with it. If you fail anywhere along the line it will take away your confidence. You must make yourself succeed every time. You must do the thing you think you cannot do.

Sometimes all you need in love is to make each other happy, to make each other laugh. So long as you can still do that ten years down the line then I think you're gold. Never let the laughter slip from your relationship.

Let no youth have any anxiety about the upshot of his education, whatever the line of it may be. If he keep faithfully busy each hour of the working-day, he may safely leave the result to itself. He can with perfect certainty count on waking up some fine morning to find himself one of the competent ones of his generation.

Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.

When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well.

Speak the speech, I pray you, as I pronounced it to you-trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and as I may say, the whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.

Effectively, it makes the greasepaint permanent, blurring the lines not only between public and private but also between the authentic and contrived self. If all the world was once a stage, it has now become a reality TV show: we mere players are not just aware of the camera; we mug for it.

I was training to be an electrician. I suppose I got wired the wrong way round somewhere along the line.

A life spent worthily should be measured by a nobler line,-by deeds, not years.

Sometimes, when I am tired of so many oscillations, I look for refuge in a word which I begin to love for itself. Resting in the heart of words, seeing clearly into the cell of a word, feeling that the word is the seed of a life, a growing dawn... The poet Vandercammen says all that in a line: "A word can be a dawn and even a sure shelter."

Write as you like, use the rhythms that come out, try different instruments, sit at the piano, destroy the metric, shout instead of singing, blow your guitar and ring the horn. Hate mathematics, and love eddies. Creation is a bird without a flight plan, that will never fly in a straight line.

A dinner! How horrible! I am to be made the pretext for killing all those wretched animals and birds, and fish! Thank you for nothing. Now if it were to be a fast instead of a feast; say a solemn three days' abstention from corpses in my honour, I could at least pretend to believe that it was disinterested. Blood sacrifices are not in my line

Early in my career as an engineer, I’d learned that all decisions were objective until the first line of code was written. After that, all decisions were emotional.

I've always loved to prove people wrong. I want to be able to cross color lines, because in music, there really is no barrier.

If all the ways I have been along were marked on a map and joined up with a line, it might represent a minotaur.

I have an idea and a first line -- and that suggests the rest of it. I have little concept of what I’m going to say, or where it’s going. I have some idea of how long it’s going to be -- but not what will happen or what the themes will be. That’s the intrigue of doing it -- it’s a process of discovery. You get to discover what you’re going to say and what it’s going to mean.