Music is always for the listener, but the first listener is always the musician
Wynton MarsalisRead
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Music is always for the listener, but the first listener is always the musician
The artist must forget the audience, _x000D_ forget the critics, forget the technique, forget everything but love for the music._x000D_ Then, the music speaks through the performance,_x000D_ and the performer and the listener will walk together_x000D_ with the soul of the composer, and with_x000D_ God.
Write your own songs. It helps you to mean what you're singing, which will then make it mean something to listeners.
When women reassert their relationship with the wildish nature, they are gifted with a permanent and internal watcher, a knower, a visionary, an oracle, an inspiratrice, an intuitive, a maker, a creator, an inventor, and a listener who guide, suggest, and urge vibrant life in the inner and outer world.
There are artists who delight listeners with their wild and daring individuality; there are others who uncover the written score with reverence. There are few who can do both.
I will keep playing as long as my body lets me, and as long as I'm wanted by my listeners. Because music is the only thing that keeps me going.
No, I don't know how to get young people to start listening to jazz again. But I do know this: Any symphony orchestra that thinks it can appeal to under-30 listeners by suggesting that they 'should' like Schubert and Stravinsky has already lost the battle.
We cannot be speakers who do not listen. But neither can we be listeners who do not speak.
I do not write experimental music. My experimenting is done before I make the music. Afterwards it is the listener who must experiment.
Elemental Music is never just music. It's bound up with movement, dance and speech, and so it is a form of music in which one must participate, in which one is involved not as a listener bust as a co-performer.
I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.
...the reader who plucks a book from her shelf only once is as deprived as the listener who, after attending a single performance of a Beethoven symphony, never hears it again.
I am a patient listener, but opinionated to the point of stubbornness when my mind is made up.
It is easy enough to arouse in a listener a desire for what is honorable; for in every one of us nature has laid the foundations or sown the seeds of the virtues. We are born to them all, all of us, and when a person comes along with the necessary stimulus, then those qualities of the personality are awakened, so to speak, from their slumber.
The listener must be gripped and whether he likes it or not, drawn into the flight path of the sounds without special training being necessary. The sensual shock must be just as forceful as when one hears a clap of thunder or looks into a bottomless abyss
It is not advisable to venture unsolicited opinions. You should spare yourself the embarrassing discovery of their exact value to your listener.
An important fact about verbal behavior is that speaker and listener may reside within the same skin.
Don't try to tear down other people's religion about their ears, Build up your own perfect structure of truth, and invite your listeners to enter in and enjoy it's glories.
Words can wound or heal. The purpose of speech must always be to create joy in the listener.
The goal of effective communication should be for listeners to say, 'Me, too!' versus 'So what?'
Radio affects most intimately, person-to-person, offering a world of unspoken communication between writer-speaker and the listener.
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