Quotes on Little

I like Burton Malkiel's 'A Random Walk Down Wall Street.' He comes to the same conclusion that I do - that indexing is the way. My 'Little Book of Common Sense Investing' says pretty much the same thing.

Trying to do what your competitors are doing but basically a little bit better is probably not going to be the winning strategy. The problem is finding what your competitors wouldn't even consider doing.

To read is to have experiences; every book changes my life at least a little bit. The first time I can remember this happening was when I was 10, with a biography of Thomas Edison.

I really wanted to be a model when I was little. I loved photography, and I loved being on camera. But I was short and chubby, so I couldn't. Anyway, being an artist is way more interesting than just being a model because it's about you and what you want to be. You're not being treated like a clothes hanger.

You get a little picture that reflects the whole. You can get readers interested in the life of one guy, and he can reflect the whole life around him. And it's a better picture than the politicians give you.

In the old days, people used to risk their lives in India or in the Americas in order to bring back products which now seem to us to have been of comically little worth.

If you come on a band tense, you're going to play tense. If you come a little bit foolish, act just a little bit foolish, and let yourself go, better ideas will come.

We're put here on Earth to learn our own lessons. No one can tell you what your lessons are; it is part of your personal journey to discover them. On these journeys we may be given a lot, or just a little bit, of the things we must grapple with, but never more than we can handle.

Being a black lesbian myself, I roll my eyes a little bit when I see black lesbian characters on shows where it's purely there for decoration. You can just hear it in the writers room... 'What if we make her a lesbian?'

It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.

You want to say as little as you can and get the most punch out of it, always with the knowledge that people are not in the theater to listen to your music so much as to respond to the movie. You're a part of that experience.

Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.

If the purpose of the stumpy little NFT theatre under Waterloo Bridge is not to acquaint young audiences with Ozu, with Ophuels, with D. W. Griffith and with Agnes Varda, then what exactly does it exist for?

I think of the brain as a computational device: It has a bunch of little components that perform calculations on some small aspect of the problem, and another part of the brain has to stitch it all together, like a tapestry or a quilt.

There are few things in which we deceive ourselves more than in the esteem we profess to entertain for our friends. It is little better than a piece of quackery. The truth is, we think of them as we please, that is, as they please or displease us.

I remember World War II when there were very few books, very little paper available. For me to walk into a shop or look at a list and see anything that I want, or almost anything, is like a kind of miracle.

Are whisper networks good? That question itself is a little flat. Whisper networks arise in a vacuum of justice. They alleviate an untenable condition; they do not actually address it.

I flew helicopters, which actually is the second best view of the earth. The first best view is, I think, a little bit higher.

I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.

We know so much about the European food story, and we're getting to know about the American food story; but we know so little about the African food story.

When I was 10 years old, I loved - I loved books, and I used to haunt the secondhand bookshop. And I found a little book I could just afford, and I bought it, and I took it home. And I climbed up my favorite tree, and I read that book from cover to cover. And that was Tarzan of the Apes. I immediately fell in love with Tarzan.