I was always the kid dribbling the ball on the sidelines, hoping someone would pick me. I'd go with my older brother to the gym or park, and when I went out there, I'd pass the ball so I could get picked again.
John StocktonRead
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I was always the kid dribbling the ball on the sidelines, hoping someone would pick me. I'd go with my older brother to the gym or park, and when I went out there, I'd pass the ball so I could get picked again.
The trouble with a series as it gets older is it can feel like a tradition, and tradition is the enemy of suspense, and it's the enemy of comedy. It's the enemy of everything, really. So you have to shake it up.
As I got older, I knew my syndrome wasn't going away. It was a hard pill to swallow. I wanted to look like everyone else and blend in, and I couldn't find a way to make that happen. I couldn't blame the doctors or my parents, so I blamed myself.
You get older, and people start passing away. And so if you're lucky - my mom died very young, for instance, and I have friends who died very young - but the point being that, I think if you're awake, you know you're going to pass on. And that the real treasure in life is the long term - relationships that you really value.
When we grow older and begin to realize that our omnipotence is really not so omnipotent, that our strongest wishes are not powerful enough to make the impossible possible, the fear that we have contributed to the death of a loved one diminishes - and with it, the guilt.
More and more, as I get older, people come up to me and say, 'Thank you for all the laughter.' And my standard answer is, 'It was my pleasure.' But that's the truth.
The fact that you can remember yesterday but not tomorrow is because of entropy. The fact that you're always born young and then you grow older, and not the other way around like Benjamin Button - it's all because of entropy. So I think that entropy is underappreciated as something that has a crucial role in how we go through life.
You may have an older audience in front of you holding the Bible and a younger audience holding an iPhone. You don't want to lose either audience.
When you're at a certain point in your time - age, that is, when you're older - you start to realize that, actually, what you leave behind you does count, and so you start to become fundamentally aware of your own destiny, which sounds very grand. It's not grand at all, actually.
When I first started, my songs were the politics of anger. As I got older and hopefully wiser, I wanted to be part of the politics of answers.
I love entertaining people; I strive to make them feel good, and they make me feel wonderful. To explain it simply, I like what I do, and my ambition is to get better as I get older. That's really what I'm all about.
My generation was the turning point. Women older than us didn't expect to have jobs or careers; those younger did. But we were where it was changing - which is interesting but uncomfortable.
Everywhere I go, the kids call me 'the book lady.' The older I get, the more appreciative I seem to be of the 'book lady' title. It makes me feel more like a legitimate person, not just a singer or an entertainer. But it makes me feel like I've done something good with my life and with my success.
As a child growing up in refugee camps, life taught me that many things were impossible. My older sister, Claire, taught me otherwise when her strength and resilience made the impossible possible in the way she worked, behaved, and took control of our lives.
Everything I read about hitting a midlife crisis was true. I had such a struggle letting go of youthful things and learning how to exist and have enthusiasm while settling into the comfort of an older age.
I have two passports because I have to have at least one, and I really don't know how I define myself. And I feel that as I get older, I feel very fortunate to have, on paper, a dual nationality.
The older I get, the more I understand that the only way to say valuable things is to lose your fear of being correct.
I was always very curious as a young man about why older writers who I met seemed so indifferent to what was going on, whereas I, in my 20s, was reading everything. Everything seemed important. But they were only interested in the writers they admired when they were young, and I didn't understand it then, but now, now I understand it.
My dedication to trying to be a poet started very, very young, and I was very well encouraged by good teachers and by older friends and so on, so I think it is a benediction, and I also think it is a calling, a duty.
I tell my children now that they are older, 'If something happens to me... don't make no big fuss over me. Don't make no big expense on my funeral. Don't put any pressure on the rest of the family. I've loved everybody, and I hope they loved me. But don't create this big expense for the family.'
That's another great thing about getting older. Your life is written on your face.
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