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It is true that some people are interested in the buying part of things... They want to buy everything from the movie reviews to the media net to the opinions and so on.

I have a knack for choosing the wrong people.

People talk about PlayStations, video games, social network and Twitter; I can't handle it.

The kind of roles which you get, people identify with your roles, and it then leads to the kind of brands you get.

When I moved to Bombay, it was very harsh. I was nothing like what I am today. I couldn't speak a word of English. In England, people might be very understanding about that, but in Bombay, they're not very forgiving. 'If you don't speak English, how do you expect to work in Hindi films?'

I was one of the first early Twitter users from the film fraternity. And back then in 2009, I thought I was going to enter a world where people liked me, knew me, knew my work - it was going to be fine! All about the love, not the hate. And it was. At first.

From the time you open the newspapers to the time the lights go off at night, it's all lies. We lie the most to the people closest to us. For fear of hurting them, breaking their heart, or worrying them.

I was swept by the narrative structure of film... you can create a world, you can destroy it, you can do what you want with it and serve it to people just the way you like.

There will always be people who think volleyball, at least for boys anyway, is a sport you play when you can't letter in anything else.

People think of beach volleyball as something you just play and have fun. They don't realize there's a lot of discipline involved in playing at this level.

When 'Siruthai' became a hit, there was suddenly a lot at stake. A lot of people were telling me what to do and what not to. But at some point, you realise that's not the way to go. Good or bad, you need to be making your own choices.

Each time when my films get released, people always compare it with my debut film 'Parutthiveeran' and comment that nothing comes near that flick.

I think people need to understand the amount of emotions I can pull off. I want films I'm offered to have these dimensions.

Regardless of what film you make, you want people to watch your film, and you ultimately need commercial success.

I actually care about things, and I care about people.

One of the hardest parts of this game, and what I don't think people understand, is the mental side of it. They think, 'Oh, he's a big, stronger guy.' But let me tell you, and I believe this without question: It's not always the biggest, strongest, meanest, toughest-looking who gets the job done.

When you start out doing something, you never wonder how big is this going to be, or how will I be remembered, or will people even care for me.

In my village where I'm from, there's still not running water everywhere. People are still struggling to get clean water.

A lot of people are still suffering from water-borne diseases... We want to create something where we can make life better for everyone.

Facebook Algorithms have got us all screwed up, where we only listen and talk to people with the same views as us, and I think it's not helping us as a culture to grow.

Most people have never been listened to, and they've never been asked questions that they want to be asked.

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