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There is no heaven or afterlife for broken-down computers; that is a fairy story for people afraid of the dark.
Science can lift people out of poverty and cure disease. That, in turn, will reduce civil unrest.
When people start yammering about artistic responsibility, artists become wary. The subtext of such talk is that the arts need to be regulated, which is to say censored.
For thousands of years, we've insisted that art can make us better people. Unless a brief can be fashioned that, by its very nature, art appeals only to the best in people and never the darkness, which defies both logic and intuition, then we have to acknowledge that art can make some of us worse.
When people ask if Marquette University is in Michigan, and I tell them my alma mater is in Milwaukee, they sometimes say, 'What's the difference?'
One October day in 1976, a Cuban airliner exploded over the Caribbean and crashed, killing all 73 people aboard. There should have been 74. I had a ticket on that flight, but changed my reservation at the last moment and flew to Havana on an earlier plane.
Many Americans, and many more people around the world, have been outraged by what they see as President George W. Bush's radical reordering of American foreign policy.
When it comes to being in a band or going solo, one is collaborative, and one is not. But generally speaking, when going solo, I am the boss. People can contribute ideas, but I am the boss. When collaborating, you make compromises and look for a common ground.
You cannot please everyone, and I think that what's important, ultimately, is to make sure you please yourself. If you start trying to please other people, you'll just go around in circles.
The real artists are ultimately people who don't consider their audience and are almost incapable of considering their audience. They can do what they do and fire themselves up.
I think most people can relate to the feeling of love spilling over into obsession.
I think there is something about the Internet which gives people almost an opportunity to role play and to create a facade, an image. I see that as quite a dangerous development because I think what we call social networking, Twitter, Facebook, etc., is actually quite antisocial.
I think that's part of the battle of defining yourself as an artist. You're constantly fighting the pressure from outside to be pigeonholed and deliver more of what people already liked.
I've never been one of those people who say, 'Oh, well, if you play this kind of music, you can only like these kinds of bands.'
It's always lovely to discover that the people that you kind of look up to are actually very down-to-earth people.
Some of the great John Wayne hero things that have ever happened in football happened because people play hurt.
I've played more golf with Joe Montana and Steve Bono than I've played with anyone else. We've played a ton of golf. I always tell people; my relationship with Joe was as good as it could be.
People don't remember that Sid Gillman was my coach. He was an old crotchety guy, but he was the first one to basically say, 'You can't just run around'... I remember, he literally tied my feet up.
The great thing about football is that it's a game that involves so many people.
People always want to grab the negative, but that's not my reality. It comes from my dad. He cracks me up the way he always says, 'Suck it up and be a big girl,' to my sister, or 'Suck it up and be a man,' to us guys. That's what I'm about.
My generation, people who played with me, they're suffering from football.
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