Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
Edward WestonRead
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Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
I see my finished platinum print (in the viewfinder) in all its desired qualities, before my exposure.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
The language that photography has is a formal language. Any photographer is doing something formal. If it's formal, then it must be an aesthetic way to communicate.
Photography is about a single point of a moment. It’s like stopping time. As everything gets condensed in that forced instant. But if you keep creating these points, they form a line which reflects your life.
Even though fixed in time, a photograph evokes as much feeling as that which comes from music or dance. Whatever the mode - from the snapshot to the decisive moment to multi-media montage - the intent and purpose of photography is to render in visual terms feelings and experiences that often elude the ability of words to describe. In any case, the eyes have it, and the imagination will always soar farther than was expected.
A photograph is a secret about a secret. The more it tells you the less you know.
There's no great mystique to photography. A lot of photographers like to put their hands up to their forehead and tell you how they've suffered and so forth. Well, I just rent a car and drive to the place and take the pictures.
I began to realize that the camera sees the world differently than the human eye and that sometimes those differences can make a photograph more powerful than what you actually observed.
If anyone gets in my way when I'm making a picture, I become irrational. I'm never sure what I am going to do, or sometimes even aware of what I do-only that I want that picture.
The technique of 35mm photography appears simple. One is beguiled by the quick viewing and operation, and by the very questionable inclination to make many pictures with the hope that some will be good.
When you use film, you use accidents, but there aren't any accidents with digital photography. I don't mind that it's easy. But I do mind that there is a sort of consensus with the camera and the subject and the light, and you look at something, and you photograph it, and you get what you see.
For me the true business of photography is to capture a bit of reality (whatever that is) on film...if, later, the reality means something to someone else, so much the better.
Character, like a photograph, develops in darkness.
Look and think before opening the shutter. The heart and mind are the true lens of the camera.
Photography has always been a major part of my vision: my excuse for meddling with what the world looks like.
I wanted to be a scientist. I did a thesis on lions. But I realised photography can show things writing can't. Lions were my professor of photography.
It was only after a while, after photographing mines and clear-cutting of forests in Maine, that I realized I was looking at the components of photography itself. Photography uses paper made from trees, water, metals, and chemistry. In a way, I was looking at all these things that feed into photography.
There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.
The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.
Memories. That's the thing about photography. I look at the contact sheet, and it brings back everything: whether I was tired, whether I was full of beans.
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