The photo is a thing in itself. And that's what still photography is all about.
Garry WinograndRead
For me the true business of photography is to capture a bit of reality (whatever that is) on film...if, later, the reality means something to someone else, so much the better.
Interpretation
Photography captures moments of reality, creating connections with viewers through shared experiences.
Garry Winogrand emphasizes that the essence of photography lies in its ability to capture reality, regardless of its subjective interpretation. The goal is not only to preserve moments but to evoke meaning for those who later engage with the photograph, highlighting the shared human experience behind each image.
In practice
In a photography exhibition, one might say this quote to explain the purpose of their work.
The photo is a thing in itself. And that's what still photography is all about.
The photograph should be more interesting or more beautiful than what was photographed
Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
When I’m photographing I see life.
Photography is not about the thing photographed. It is about how that thing looks photographed.
I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both.
As to the number of novels I've abandoned... I shudder to think. I have thrown away five completed novels, and that's a gruesome enough figure. But not necessarily a waste of effort.
Architecture is not based on concrete and steel, and the elements of the soil. It's based on wonder.
I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.
A man must love a thing very much if he not only practices it without any hope of fame and money, but even... without any hope of doing it well.
The public needs art, and it is the responsibility of a ’self-proclaimed artist’ to realize the public needs art, and not to make bourgeois art for the few and ignore the masses. … I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. I am merely a middleman trying to bring ideas together.
Rob [Tapert], myself and Bruce Campbell sat in hundreds of drive-insnot hundreds, but tens of drive-ins, watching these movies and learning how they were made, and we started to make our own in Super 8. And that’s really how we got into horror films. After a while we learned to really like them, and the craft that went into them.
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