Creativity is a process more often than it is an event.
Ken RobinsonRead
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Creativity is a process more often than it is an event.
I always try to teach by example and not force my ideas on a young musician. One of the reasons we're here is to be a part of this process of exchange.
If it were only a few degrees, that would be serious, but we could adapt to it. But the danger is the warming process might be unstable and run away. We could end up like Venus, covered in clouds and with the surface temperature of 400 degrees. It could be too late if we wait until the bad effects of warming become obvious. We need action now to reduce emission of carbon dioxide.
Part of making any endeavour is that each one has its own special problems. It's the nature of the process.
Actors tend to get in their own way, a lot. A lot of times you will do things that will screw up your audition process. I was very bad at auditioning, and I always went in to it saying ‘God I hope I don’t screw this up.’ But at the same time, the directors are saying, ‘God, I hope this person is the savior.’ You have to remember is that the worst thing that could happen is you don’t get the job you don’t already have.
When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.
The person interested in success has to learn to view failure as a healthy, inevitable part of the process of getting to the top.
Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
It is a process of discovery. It's being quiet enough and undisturbed enough for a period of time so that the songs can begin to sort of peek out, and you begin to have emotional experiences in a musical way.
Nothing will stop us. The road to the stars is steep and dangerous. But we're not afraid . . . Space flights can't be stopped. This isn't the work of one man or even a group of men. It is a historical process which mankind is carrying out in accordance with the natural laws of human development.
But love is really more of an interactive process. It's about what we do not just what we feel. It's a verb, not a noun.
The best defence [for a democracy, for the public good] is aggressiveness, the aggressiveness of the involved citizen. We need to reassert that slow, time-consuming, inefficient, boring process that requires our involvement; it is called 'being a citizen.' The public good is not something that you can see. It is not static. It is a process. It is the process by which democratic civilizations build themselves.
The healing of the land and the purification of the human spirit is the same process.
Revolution is not something fixed in ideology, nor is it something fashioned to a particular decade. It is a perpetual process embedded in the human spirit.
Mental health is an ongoing process of dedication to reality at all costs
Another school declares that all time has already transpired and that our life is only the crepuscular and no doubt falsified and mutilated memory or reflection of an irrecoverable process.
Now sexual obsessions are the basis of artistic creation. Accumulated frustration leads to what Freud calls the process of sublimation. Anything that does not take place erotically sublimates itself in the work of art
It is absolutely essential that the oppressed participate in the revolutionary process with an increasingly critical awareness of their role as subjects of the transformation.
The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.
The gradual decline of a society is often a self-induced process of trying to meet ever-expanding appetites, rather than a physical inability to produce past levels of food and fuel, or to maintain adequate defense.
Man does not limit himself to seeing; he thinks and insists on learning the meaning of phenomena whose existence has been revealed to him by observation. So he reasons, compares facts, puts questions to them, and by the answers which he extracts, tests one by another. This sort of control, by means of reasoning and facts, is what constitutes experiment, properly speaking; and it is the only process that we have for teaching ourselves about the nature of things outside us.
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