Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.
Laini TaylorRead
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61 quotes
Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.
For a lot of readers these days, a book is something you have to agree or disagree with. But you can't agree with a novel. For my generation, it was assumed that a book is a dramatic thing, that the eye of the book is not telling you what to think.
I usually write for the individual reader -though I would like to have many such readers. There are some poets who write for people assembled in big rooms, so they can live through something collectively. I prefer my reader to take my poem and have a one-on-one relationship with it.
Before the web and these highly focused entities, journalists got to decide what was important to tell their audience and educated their readers. Now, journalists have to try and understand what their consumer actually wants to read and what angle they are looking for in order to keep audiences engaged in a highly competitive world.
A book, like a landscape, is a state of consciousness varying with readers.
I don't believe there are 'struggling' readers, 'advanced' readers, or 'non' readers.
Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave. I never get over being thankful for that - for the courage of my readers.
I think instead writers and publishers and readers need to go to the places where people are, and make the argument that there is great value to the quiet, contemplative process of reading a novel, that reading great books carefully offers pleasures and consolations that no iPad app ever can.
A novel is a great act of passion and intellect, carpentry and largess. From the very beginning, I wrote to explain my own life to myself, and I invited readers who chose to make the journey with me to join me on the high wire.
I looked out into the audience, saw dozens of faces I knew well - LGBTQ folks, mostly - all avid comics readers and superhero fans and DC supporters, and it just hit me: Why was this so impossible? Why in the world can we not do a better job of representation of not just humanity, but also our own loyal audience?
The best thing about being a writer is it gives you readers who understand your deepest feelings and fears.
Tyranny will make an entire population into readers of poetry.
I don't think that our Founders would believe that America could long prosper if the people were not readers.
With my writing, I try to do stuff I have not done before. Each time I sit down, I want to have a new experience, and by extension, I want my readers to have a different experience.
The most emphatic place in a clause or sentence is the end. This is the climax; and, during the momentary pause that follows, that last word continues, as it were, to reverberate in the reader's mind. It has, in fact, the last word.
Too many ads that try not to go over the reader's head end up beneath his notice.
I'll always be grateful for 'Are You There God? It's Me, Margaret.' It brought me many, many, readers.
I like using animals because they help suspend my reader's disbelief. We have certain ideas about dentists. We don't have many ideas about rhinoceros dentists.
Like all readers, I want my limits to be drawn by my own sensibilities, not by my melanin count.
All readers are tourists. We want to make sense of what we see and hear, to find the balance between what is unknown and what we can call ours.
Teenagers are in some ways the best readers because their imaginations haven't been narrowed down by boring things like jobs and the realities of money and capitalism.
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