I've learned to allow myself the room to fall in love with what I'm writing.
Sylvia DayRead
Topic
102 quotes
I've learned to allow myself the room to fall in love with what I'm writing.
I think in some ways, it can do a listener a disservice to explain a song. I think I'd rather leave a little room for people to put themselves in it.
I realize that when I moved out of my father's house I shocked and frightened him because I needed a room of my own, a space of my own to reinvent myself.
I like simplicity. I like using natural sources. I like images to look natural - as though somebody sitting in a room by a lamp is being lit by that lamp.
Success is a very tough mistress. For years, while you're struggling, she wants nothing to do with you. Then one day, you find yourself in the room with her, and even though the key is on the inside, you can't leave.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I use music in the operating room to help create a healing environment for patients and staff. There is a reason that certain heart rates are healthy and certain beats of music heal and relax us.
When I speak, I want to ensure that there is at least one person in the audience who leaves the room transformed.
Some people, you have to grit your teeth in order to stay in the same room as them, but you get on and ask the questions you assume most of the people watching want to ask.
Instead of a dedicated room, my best trigger is the actual habit of reading over the texts from the day before. Marking. Changing. Fussing. This ritual amounts to a habit of trust. Trust that I can make it better. That if I keep trying, I will come closer to something true.
Improvisation has to do with exploring something like two brothers in a room together. You find out things about situations by discovering the things that they aren't saying. It's a way to explore scenes. Sometimes it's more useful than others, but it's always there to see if there's anything that you might improve.
I think people now - you know, a lot of athletes have come out and said, I would definitely accept, you know, a gay male athlete in the locker room and on my team.
You should not actually stay in bed for very long awake, because your brain is this remarkably associative device, and it quickly learns that the bed is about being awake. So you should go to another room - a room that's dim. Just read a book - no screens, no phones - and, only when you're sleepy, return to the bed.
What I love about the theatre is that it's always metaphorical. It's like going back to being a kid again, and we're all pretending in a room. Sometimes, when the pretending really works, I find it much, much more moving than something on film.
My mind was always very cluttered, so I took great pains to simplify my environment, because if my environment were half as cluttered as my mind, I wouldn't be able to make it from room to room.
Why is there space rather than no space? Why is space three-dimensional? Why is space big? We have a lot of room to move around in. How come it's not tiny? We have no consensus about these things. We're still exploring them.
In order to gain the respect of your players in the locker room, you can't just perform on Saturday. You have to do it consistently during practices, meetings, and in the weight room.
In October, a maple tree before your window lights up your room like a great lamp. Even on cloudy days, its presence helps to dispel the gloom.
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