It seems that laughter needs an echo.
Henri BergsonRead
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1,761 quotes
It seems that laughter needs an echo.
One who has never known the turbulence of life, in whom the petals of the mysterious flower within have never opened; such a one may seem happy, may seem a saint, his single track mind may impress the multitude with its power - but he is ill equipped for life's true adventure into the infinite.
Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.
… in the relentless and meaningless manner one searches for something in a nightmare, coming on doors that won’t open or drawers that won’t shut, struggling over and over against the same meaningless thing, not knowing why the effort seems so desperate, why the sudden sight of a chair with a shawl thrown over it inspires the mind with horror.
It is a curious property of research activity that after the problem has been solved the solution seems obvious. This is true not only for those who have not previously been acquainted with the problem, but also for those who have worked over it for years.
It seems to me that any full grown, mature adult would have a desire to be responsible, to help where he can in a world that needs so very much, that threatens us so very much.
Power-worship blurs political judgment because it leads, almost unavoidably, to the belief that present trends will continue. Whoever is winning at the moment will always seem to be invincible.
There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.
And these little things may not seem like much but after a while they take you off on a direction where you may be a long way off from what other people have been thinking about.
But day after day of depression, the kind that doesn’t seem to merit carting me off to a hospital but allows me to sit here on this stoop in summer camp as if I were normal, day after day wearing down everybody who gets near me. My behavior seems, somehow, not acute enough for them to know what to do with me, though I’m just enough of a mess to be driving everyone around me crazy.
When a child has a bad dream and wakes up crying, Dad goes and says, 'Don't be afraid, don't be scared. I'm here.' The Lord speaks this way, too... Usually, Christmas seems like a very noisy feast, but we can use a bit of silence to hear these words of love, closeness and tenderness.
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.
For every reader who dies today, a viewer is born, and we seem to be witnessing . . . the final tipping balance.
Sometimes I dream a sentence and write it down. It’s usually nonsense, but sometimes it seems a key to another world.
My diary seems to keep me whole.
It's my profession to bring people from various outlying districts of the mind to the normal. There seems to be a general feeling it's the place where they ought to be. Sometimes I don't see the urgency myself.
Everyone who has observed human behavior for more than thirty continuous seconds seems to have noticed that people are strongly, perhaps even primarily, perhaps even single-mindedly, motivated to feel happy.
Hegel seems to me to be always wanting to say that things which look different are really the same. Whereas my interest is in showing that things which look the same are really different. I was thinking of using as a motto for my book a quotation from King Lear: 'I’ll teach you differences'. ... 'You’d be surprised' wouldn’t be a bad motto either.
I know it may seem small and insignificant, but it's not about what it is, it's about what it can become. That's not a seed, any more than you're just a boy.
The giant white cube is now impeding rather than enhancing the rhythms of art. It preprograms a viewer's journey, shifts the emphasis from process to product, and lacks individuality and openness. It's not that art should be seen only in rutty bombed-out environments, but it should seem alive.
The preservation of health is a duty. Few seem conscious that there is such a thing as physical morality.
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