I read Carver. Julio Cortázar. Amis's essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn't sound like me.
Zadie SmithRead
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I read Carver. Julio Cortázar. Amis's essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn't sound like me.
The radio is playing jazz, and I listen to the sound of the trumpet playing a solo until I become that sound.
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
An owl sound wandered along the road with me. I didn't hear it--I breathed it into my ears.
On the mainland, a rain was falling. The famous Seattle rain. The thin, gray rain that toadstools love. The persistent rain that knows every hidden entrance into collar and shopping bag. The quiet rain that can rust a tin roof without the tin roof making a sound in protest. The shamanic rain that feeds the imagination. The rain that seems actually a secret language, whispering, like the ecstasy of primitives, of the essence of things.
The music of Africa is big sound: it's the sound of a community
I despair about the lack of proper respect shown for the piano. If you want it to sound like a traffic jam, go out in the street and forget the piano. That's not a piano sound.
The bells they sound on Bredon, And still the steeples hum. "Come all to church, good people"- Oh, noisy bells, be dumb; I hear you, I will come.
If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.
The young writer should learn to spot them: words that at first glance seem freighted with delicious meaning, but that soon burst in the air, leaving nothing but a memory of bright sound.
All sound heard at the greatest possible distance produces one and the same effect, a vibration of the universal lyre, just as the intervening atmosphere makes a distant ridge of earth interesting to our eyes by the azure tint it imparts to it.
Keep fighting until the last buzzer sounds.
Everybody has their taste in noises as well as in other matters; and sounds are quite innoxious, or most distressing, by their sort rather than their quantity.
The listener must be gripped and whether he likes it or not, drawn into the flight path of the sounds without special training being necessary. The sensual shock must be just as forceful as when one hears a clap of thunder or looks into a bottomless abyss
There are many, many nouns for the act of looking - a glance, a glimpse, a peep - but there's no noun for the act of listening. In general, we don't think primarily about sound. So I have a different perspective on the world; I can construct soundscapes that have an effect on people, but they don't know why. It's a sort of subterfuge.
The smell of good bread baking, like the sound of lightly flowing water, is indescribable in its evocation of innocence and delight... [Breadmaking is] one of those almost hypnotic businesses, like a dance from some ancient ceremony. It leaves you filled with one of the world's sweetest smells... there is no chiropractic treatment, no Yoga exercise, no hour of meditation in a music-throbbing chapel. that will leave you emptier of bad thoughts than this homely ceremony of making bread.
I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.
The most important thing is to have a good relationship with the bike... you have to understand what she wants. I think of a motorcycle as a woman, and I know that sounds silly, but it's true.
It doesn't sound too good to say I am the son of a landowner, so let us rather say I am the grandson of exploited Galician peasants.
The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
You can't hear a word and just hear it as raw sound; it always evokes an associated meaning and emotion in the brain.
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