First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Oscar PetersonRead
I despair about the lack of proper respect shown for the piano. If you want it to sound like a traffic jam, go out in the street and forget the piano. That's not a piano sound.
Interpretation
This quote emphasizes the importance of respecting the true sound and artistry of the piano.
Oscar Peterson highlights a common misunderstanding and misuse of the piano. He argues that to truly appreciate the instrument, one must recognize its unique sound and potential, rather than allowing it to be drowned out by the chaos of everyday life. His remark implies a need for mindfulness and reverence for music and artistic expression.
In practice
Using this quote during a music appreciation class to stress the importance of understanding musical instruments.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
I love theatre - it's where I started - and I've directed a play myself. I'm not sure if I want to direct a film, but certainly, as an actress, I'm always thinking, 'Surely this must be my last film.'
My whole life has been a twenty years struggle between poetry and prose, or, if you like to call it so, Music and Law.
I always feel that art in general and acting in particular should make the audience a little uncomfortable, to slap them and wake them up.
None of the films I've done was designed for a mass audience, except for 'Indiana Jones.' Nobody in their right mind thought 'American Graffiti' or 'Star Wars' would work.
At the deepest level, the creative process and the healing process arise from a single source. When you are an artist, you are a healer; a wordless trust of the same mystery is the foundation of your work and its integrity.
If anyone should want to know my name, I am called Leah. And I spend all my time weaving garlands of flowers with my fair hands, t o please me when I stand before the mirror; my sister Rachel sits all the day long before her own, and never moves away. She loves to contemplate her lovely eyes; I love to use my hands to adorn myself: her joy is in reflection, mine in act.
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