I think the goal of 'Chef's Table' is that you are so moved by the story that you want to go and eat that person's food at their restaurant. But I wanted the takeaway from my show to be that you go and cook the thing.
Samin NosratRead
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I think the goal of 'Chef's Table' is that you are so moved by the story that you want to go and eat that person's food at their restaurant. But I wanted the takeaway from my show to be that you go and cook the thing.
I've been in movement work since I was 16 years old. Black Lives Matter becomes an important part of the story, but it's not the only part of the story.
We have bred multiple generations of people who have not experienced knowing where you are the moment a news story broke, with that news story being great and grand and something that elevates society instead of diminishes it.
I've been in so many writing workshops where someone hands in a story, and when the other writers in the workshop are giving feedback, they say, 'This is unbelievable.' And the writer says, 'Well, actually, the events are based in real life. This actually happened.'
That larger story in 'Salvage the Bones' is just about survival, and I think that, in the end, there are things about this novel and about these characters' experiences that make their stories universal stories.
If I want to tuck my son into bed and read him a story, but that means I have to take a red-eye to get to a concert - which I would never think of doing otherwise - that's just the way it is. Even if I can't hit the note that night, I got to tuck my child in!
I'll work to ensure that every single refugee who seeks asylum in the United States has a fair chance to tell his or her story. This is the least we can offer people fleeing persecution and devastation.
Because Lincoln is so closely identified with what it is to be American, everyone wants to claim him, to rewrite his story to satisfy their own particular needs. For my own people, it was important to imagine him as the Great Emancipator, the Moses who led us out of slavery.
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
It's kind of a subversive act to tell a story of a woman past a certain age, to develop a four-hour movie based on a marriage and a story of two people past middle age.
When I go to Comic-Cons and people line up for autographs, so many people have a story about how they are moved, how they get tearful about what 'Back To The Future' meant to them.
When we tell the story of our own conversion, I would have it done with great sorrow, remembering what we used to be, and with great joy and gratitude, remembering how little we deserve these things.
Sometimes I just think that there are more things to be said to make the audience understand what I'm trying to do more. When I'm singing, I don't want you to just hear the melody. I want you to relive the story, because most of the songs have pretty good storytelling.
I try to tell the best story, and the story that has some heart and some genuine terror and some social commentary and some comedy and some romance and some sex and some violence.
I think that when we look at something that's well acted and a story that's well told, it allows us to be a mirror of who we are as human beings and as a culture, and offers a glimpse of where we're headed.
Bankruptcy is about financial death and financial rebirth. Bankruptcy is the great American story rewritten. We're a nation of debtors.
Mine is just a simple old human story - of one person trying, with great rigor and discipline, to comprehend her personal relationship with divinity.
A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
Listen to other people tell their story, but don't believe them. You know that it's just a story that is only true for them, but listen because the communication can be wonderful.
I'm working on my life story. I'm not decided if it's going to be a musical or a movie with music in it.
What writer wants to make compromises with story? Story is the only reason you're in it.
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