You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
Ornette ColemanRead
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You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
Speak the truth do not become angered and give when asked, even be it a little. By these three conditions one goes to the presence of the gods.
Childhood was terrifying for me. A kid has no control. You're three feet tall, flat broke, unemployed, and illiterate. Terror snaps you awake. You pay keen attention. People can just pick you up and move you and put you down.
I can tell you in all honesty that I am highly connected to my family, my wife, and my three children, though I don't get to spend dollops of hours with them.
This is my last year at Oregon, and it means a lot to me. The people have been great to me up there, so if I have to run three races to win the Pac-8 title, I'll do it. Oh, sure, I'll probably be tired, but the people shouting will carry me across the finish line.
There are three kinds of yeses. There's commitment, confirmation, and counterfeit. People are most used to giving the counterfeit yes because they've been trapped by the confirmation yes so many times. So the way you master no is understanding what really happens when somebody says 'no.' When yes is commitment, no is protection.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
When I started out, there were three things that made film people look at me with condescension, I was young, I was black, and I was female. I have won a certain respect, but I think the film community still sees directing as a male job.
Years ago I wanted to buy an apartment in New York City. I was a single female - I had gone through my divorce - I had three children, I was in show business and black. It was, like, impossible.
Every habit is made of three parts... a cue, a routine and a habit. Most people focus on the routine and behavior, but these cues and rewards are really the way you make something into a habit.
Nobody knows how long they have left on Earth. There's no guarantees, and for me, when they tell you - not once, twice, three times - 'You've got a couple weeks to live,' or a couple months, you have to determine how you want to do that.
I learned to read a little in my primer, to write my own name, and to cypher some in the three first rules in figures. And this was all the schooling I ever had in my life, up to this day. I should have continued longer if it hadn't been that I concluded I couldn't do any longer without a wife, and so I cut out to hunt me one.
Usually, a model gets two to three seasons, or a year and a half, and that's it - you're done. For me, it will be 10 years.
When doctors tell you that you have three weeks to live, you try to live a lifetime of moments in three weeks. But you say, 'To hell with three weeks.'
I had started as an average athlete - a normal boy. It took me three years to win a race. I was glad that I endured those three years - that I did not give up.
We're in a situation where the solutions that we have are not good enough. The way to improve anything is to have a discussion about its flaws. To understand what the one or two or three things are about it that would help fix it. The DMCA makes it dangerous to have that conversation.
You get rich through luck. You get rich through crime. You get rich through fulfilling the needs of another. You can be as greedy as you like. If you can't do one of those three things, you ain't going to get any money.
I think a playwright realizes after he finishes working on the script that this is only the beginning. What will happen when it moves into three dimensions?
You will never, I think, fully conquer the play. Every night, you see this Everest before you. It's that two, three hours and the audience, and you'd better tell the truth.
I would have to think about it for two or three months before I decided to do something which would have meaning. And it would have to be more than just an impression or pleasure. I would need an objective, a meaning. That is the only thing that could help me.
The 'Aladdin' thing - that's not work; that's just fun. Three days in the recording studio going mad, then the animators do all the work. Not a bad way to cash a large check, my friend.
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