Quotes on Writing

I don't speak German well but several experts have assured me that I write it like an angel. Maybe so, maybe so- I don't know. I've not yet made any acquaintances among the angels. That comes later, whenever it please the Deity. I'm not in any hurry.

Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.

You have to appreciate the spiritual component of having an opportunity to do something as wondrous as writing. You should be practical and smart and you should have a good agent and you should work really, really hard. But you should also be filled with awe and gratitude about this amazing way to be in the world.

The man who does not read good books has no advantage over the man who cannot read them.

A man is crazy who writes a secret in any other way than one which will conceal it from the vulgar.

Those who sniff decay in every shift of sense or alteration of usage do the language no service. Too often for such people the notion of good English has less to do with expressing ideas clearly than with making words conform to some arbitrary pattern.

Limitations are something that I latch onto - like working in genre, or if you're writing TV, there are act breaks, there's a length of time it's supposed to be. The restrictions of budget and sets can be really useful. When you can have everything, it's very hard to make things feel real and lived in.

I know from my constituency what is going on. Doctors that are told, begged, by mothers, 'Please don't write down that my child as asthma. Please lie and say it's bronchitis, because if you write down asthma, when my child turns 18 or 20 and has to get his or her own insurance, it will be a pre-existing condition.'

Whatever the thing you wish to say, there is but one word to express it, but one verb to give it movement, but one adjective to qualify it; you must seek until you find this noun, this verb, this adjective.

If you don't like my book, write your own. If you don't think you can write a novel, that ought to tell you something. If you think you can, do. No excuses. If you still don't like my novel, find a book you do like. Life is too short to be miserable. If you do like my novels, I commend your good taste.

I carry my thoughts about me for a long time, often a very long time, before I write them down; meanwhile my memory is so faithful that I am sure never to forget, not even in years, a theme that has once occurred to me.

I think of myself as a serious professor who, during the weekend, writes novels.

The real payoff is the writing itself, that a day when you have gotten your work done is a good day, that total dedication is the point.

I don't want to analyze myself or anything, but I think, in fact I know this to be true, that I enter the world through what I write. I grew up believing, and continue to believe, that I am a screw-up, that growing up with my family and friends, I had nothing to offer in any conversation. But when I started writing, suddenly there was something that I brought to the party that was at a high-enough level.

I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works.

Reading usually precedes writing. And the impulse to write is almost always fired by reading. Reading, the love of reading, is what makes you dream of becoming a writer.

Africans and persons of African descent must assume the primary responsibility and leadership in historical research....if we are to continue to leave practically all important historical research and writing concerning the black race to the white man, then we must be prepared to accept, uncomplainingly, the white man's point of view.

There is scarcely any writer who has not celebrated the happiness of rural privacy, and delighted himself and his reader with the melody of birds, the whisper of groves, and the murmur of rivulets.

The main thing is to write for the joy of it. Cultivate a work-lust that imagines its haven like your hands at night dreaming the sun in the sunspot of a breast. You are fasted now, light-headed, dangerous. Take off from here.

My mirror probes down to the heart. I write words on the forehead and around the corners of the mouth. My human faces are truer than the real ones.

I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.