I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
Carl SandburgRead
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I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
I got my Bachelor's degree in nursing and worked nine years - even taught nursing in a college - before I stopped and said to myself, 'This is not who I am. I am not really a nurse inside. I'm a writer.'
Young feminists have been sold a bill of goods about American feminism. The enormous changes in women over the past 40 years are constantly and falsely attributed to the organized women's movement of the late 1960s and '70s.
We are concerned that, in a few years time, this place of discovery, with its wealth of human fossils, the like of which can be found nowhere else in the world, could be completely destroyed.
You have a diasporic black world, and the only way to put it back together again is symbolic. It's like Humpty Dumpty. Whoever could edit the 'Encyclopedia Africana' would provide symbolic order to the fragments created over the past 500 years. That is a major contribution.
As the years progress one increasingly realises the importance of friendship and human solidarity. And if a 90-year-old may offer some unsolicited advice on this occasion, it would be that you, irrespective of your age, should place human solidarity, the concern for the other, at the centre of the values by which you live.
If we all used clotheslines, we could save 30 million tons of coal a year, or shut down 15 nuclear power plants. And you don't have to wait to start. Yours could be up by this afternoon. To be specific, buy 50 feet of clothesline and a $3 bag of clothespins and become a solar energy pioneer.
Later, she would remember these years, and realize with astonishment that she had, by fifteen, decided on most of the assumptions she would carry for the rest of her life: that people were essentially not evil, that perfection was death, that life was better than order and a little chaos good for the soul. Most important, this life was all. Unfortunately, she forgot these things, and had to remember them the hard way.
Had it taken her this long to discover that she lacked some simple mental trick that everyone else had, a mechanism so ordinary that no one ever mentioned it, an immediate sensual connection to people and events, and to her own needs and desires? All these years she had lived in isolation within herself and, strangely, from herself, never wanting or daring to look back.
There’s only one difference between published and unpublished writers, and it is this -- the first group see their work in print on the shelves of Waterstone’s or Tesco or online at Amazon; the second group are yet to have physical evidence of the hours, weeks, years spent fashioning words into their patterns. You are already a writer.
If eternity had a season, it would be midsummer. Autumn, winter, spring are all change and passage, but at the height of summer the year stands poised. It's only a passing moment, but even as it passes the heart knows it cannot change.
I finished my first book seventy-six years ago. I offered it to every publisher on the English-speaking earth I had ever heard of. Their refusals were unanimous: and it did not get into print until, fifty years later; publishers would publish anything that had my name on it.
Now as to magic. It is surely absurd to hold me "weak" or otherwise because I choose to persist in a study which I decided deliberately four or five years ago to make, next to my poetry, the most important pursuit of my life...If I had not made magic my constant study I could not have written a single word of my Blake book, nor would The Countess Kathleen have ever come to exist. The mystical life is the center of all that I do and all that I think and all that I write.
Human exploration is something that's been going on for thousands of years, and the models that worked 500 years ago are likely to work again today.
We live in an era when established values are no longer valid, when prodigious discoveries are being made every year, when catastrophes of unbelievable proportions occur weekly. In ancient Greek the word “chaos” means “gaping void” or “yawning emptiness.” The most effective response to the chaos in our lives is the creation of new forms of literature, music, poetry, art and cinema.
Twenty years of romance makes a woman look like a ruin; but twenty years of marriage makes her something like a public building.
You have 15-20 years of work for that one throw, that one moment. And I was like, 'Okay, Lord, this is it - you told me I had the victory. So this is the time to show me'. And I'm going to give it all I have because this is my last throw in the Olympics.
In the end, one has to feel lucky that things fell out O.K. I've felt that all the years I've been writing plays.
I cry, sometimes, because I'm not 20 years younger, and I'm not healthy. But if I were, I would even sacrifice my writing to enter politics.
I was born on the other side of the tracks, in public housing in Brooklyn, New York. My dad never made more than $20,000 a year, and I grew up in a family that lost health insurance. So I was scarred at a young age with understanding what it was like to watch my parents lose access to the American dream.
This is rather different from the receptions I used to get fifty years ago. They threw things at me then but they were not roses.
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