Quotes on York

It wasn't until I came to New York and started to see the African American community, but also the Ethiopian community here, and started to eat the food, started to understand the music. I said, you know, I got to go and understand the culture. So me and my sister went.

After the destruction of New Orleans by Hurricane Katrina in 2005, the shutdown of much of New York City by Sandy in 2012, and now the devastation wrought on Texas by Harvey, the U.S. can and should do better.

New Jersey is the most poetic state: close enough to New York to be urban and cosmopolitan, far enough to be desirous and unsure; densely populated, but full of farms and woods, with the most deer of any state.

At the ballet classes I took when I first came to New York, I would see great dancers like Cynthia Gregory and Lupe Serrano. I would look at them and study what they could do, and what I couldn't do. And then I'd think maybe they should try what I could do.

In New York, a 13-year-old Indian girl came up to me crying, saying to everyone nearby, 'This is where I come from.' It's easy to forget that actors have the ability to instill a sense of self in viewers. That's the greatest compliment.

And what do we love about New York City? We love that everyone's here. We are one of the most diverse cities in the world. And that diversity is racial. It's ethnic, it's linguistic, it's class.

We could get more action in the South because the Negroes had a feeling that they were being oppressed. But you take New York, for example: they'd give Negroes little five-cent jobs here and there - and they thought they had something. And the same in Chicago and any of the metropolitan areas.

I heard that after you throw away a 'New York Times,' it takes over a hundred years for the lies to biodegrade.

The subway in New York is a great social experiment; there are so many races and ways of life sitting together on each car.

I became a man in New York. New York made me the musician that I am and the person that I am, so it's impossible for me to say I regret having lived there.

I just wanted to go to New York and be on Broadway, but then I was accepted by Juilliard, where they trained me in classical voice. It was great in the end, but at the time, I thought, 'What am I doing here? This is not my path.' But it was absolutely my path and where I was meant to be.

When I moved to New York City in 1965, I wanted to be in theater. I was following my Ethel Barrymore dream. But I was too young to be Ethel.

Too many people take New York for granted. The primary reason is that history is not taught. That's outrageous in a city where the past is still visible.

During my New York run, I injured my voice badly. I was getting increasingly hoarse, and it finally gave up. The doctor said I had two choices. Either cancel things, or try my luck and perhaps never speak again. That's not much of a choice.

When I was 16, I moved to Torrance, California to train at a more advanced studio, and by 19, I joined the American Ballet Theatre in New York. It all happened so fast - it was pretty unheard of that someone could train for so few years and become a professional at one of the most elite dance companies in the United States.

After my performance 'The Artist is Present (2010)' at MoMA in New York, many scientists became interested in why so many people who sat across from me began to cry. I was incredibly moved by this experience also, and was very curious to know what happens in our brains when we spend time not talking, just looking at one another.

I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.

As soon as I came to L.A., things immediately shifted for me. I was now actually here with the people who were making the decisions; I wasn't out in New York sending in tapes to L.A.

I had a long-lasting love affair with the flavors from Japan and the hustling New York street vendors. And, of course, a life-changing return to Ethiopia has made huge impacts on my life in food.

Take one round-trip flight between New York and California, and you've generated about 20 percent of the greenhouse gases that your car emits over an entire year.

Like the United Nations, there is something inspirational about New York as a great melting pot of different cultures and traditions. And if this is the city that never sleeps, the United Nations works tirelessly, around the clock around the world.