We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
Although cover notes for classical music albums tend to say that the trill of flutes suggests mountain streams and so on, I don't think anybody listens to music with the expectation that they're going to be presented with a sort of landscape painting.
Interpretation
Music is not necessarily meant to evoke specific imagery but to create an emotional experience.
Brian Eno emphasizes that while cover notes for classical music often describe the sounds as portraying landscapes or natural scenes, listeners typically do not approach music with the expectation of visual representations. Instead, music provides an emotional or abstract experience that transcends specific imagery.
In practice
During an art exhibition, one might quote this to express the relationship between music and visual art.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
My subject is War, and the pity of War. The Poetry is in the pity.
I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
I think I have always tried to do the smaller films. I like to jump around and there is something really nice for acting in a smaller film... But I think now, Hollywood's movies certainly involve a younger generation for the most part and so... I love going back and forth.
The truest expression of a people is in its dances and its music. Bodies never lie.
The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
You must be an artist and a citizen of the world. You must speak to this stuff that's happening. You must do what you can to shine a light on it, help people through it.
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