People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
There was always a part of me that wanted to be an old-time director. But I couldn't do that. I'm not a pro.
Interpretation
The quote reflects a longing for a past era in filmmaking, tempered by a recognition of personal limitations.
In this quote, Martin Scorsese expresses a nostalgic desire to be like the classic directors of the past. However, he acknowledges his own constraints and the realization that becoming a 'pro' in that traditional mold may not align with his unique path in the film industry.
In practice
During a film seminar, one might quote Scorsese to underline the importance of personal vision in filmmaking.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
To me, this acquirement of nervous, physical, and emotional concentration is the one element possessed to the highest degree by the truly great dancers of the world. Its acquirement is the result of discipline, of energy in the deep sense. That is why there are so few great dancers.
When I read Toni Morrison and Sandra Cisneros as a freshman at Rutgers, it all clicked - that writing was all I wanted to do. It became my calling.
Music is the wine which inspires one to new generative processes, and I am Bacchus who presses out this glorious wine for mankind and makes them spiritually drunken.
Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; they constitute his ideal audience and his better self.
I make it clear why I write as I do and why other poets write as they do. After hundreds of experiments I decided to go my own way in style and see what would happen.
Subscribe for the occasional hand-picked quote. No noise.