People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
There was always a part of me that wanted to be an old-time director. But I couldn't do that. I'm not a pro.
Interpretation
The quote reflects a longing for a past era in filmmaking, tempered by a recognition of personal limitations.
In this quote, Martin Scorsese expresses a nostalgic desire to be like the classic directors of the past. However, he acknowledges his own constraints and the realization that becoming a 'pro' in that traditional mold may not align with his unique path in the film industry.
In practice
During a film seminar, one might quote Scorsese to underline the importance of personal vision in filmmaking.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
Romantic art deals with the exception and with the individual. Good people, belonging as they do to the normal, and so, commonplace type, are artistically uninteresting.
I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time itβs really useless.
What would please me most is to make photographs as incomprehensible as life.
I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no... compared to writing treatments, that makes sense, too.
I began drawing as a very young child and had a grandfather who experimented with photography, so those things constituted my first exposure to art.
A good cook is like a sorceress who dispenses happiness.
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