There is a beauty in nature and culture that we no longer have access to. Those things you can't forget, you embroider... The further you tell, the further you travel from truth, which means, of course, that literature is a lie.
Interpretation
This quote reflects on the elusive beauty found in nature and culture and suggests that storytelling distances us from the truth.
W. G. Sebald's quote emphasizes the inherent beauty within nature and culture that is often lost in modern life. It suggests that the more we attempt to articulate our experiences through storytelling, the further we may drift from the fundamental truths of those experiences. The idea that literature can be seen as a form of deception invites us to reflect on the complexities of representation and memory, urging a recognition of the nuanced relationship between storytelling and reality.
In practice
In a literary discussion about the relationship between storytelling and reality.
How happily, said Austerlitz, have I sat over a book in the deepening twilight until I could no longer make out the words and my mind began to wander, and how secure have I felt seated at the desk in my house in the dark night, just watching the tip of my pencil in the lamplight following its shadow, as if of its own accord and with perfect fidelity, while that shadow moved regularly from left to right, line by line, over the ruled paper.
When I was a boy, I'd hide under the kitchen table and wind string around the chairs. I have a sense now that I am pulling on those threads. The more I pull, the more it comes unraveled.
If you're based in two places, on a bad day you see only the disadvantages everywhere. On a bad day, returning to Germany brings back all kinds of spectres from the past.
The seasons and the years came and went...and always...one was, as the crow flies, about 2,000 km away - but from where? - and day by day hour by hour, with every beat of the pulse, one lost more and more of one's qualities, became less comprehensible to oneself, increasingly abstract.
You could grow up in Germany in the postwar years without ever meeting a Jewish person. There were small communities in Frankfurt or Berlin, but in a provincial town in south Germany, Jewish people didn't exist.
No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.
Don't worry about people stealing your design work. Worry about the day they stop.
I cannot pursue my architecture without considering the minimization of energy consumption, simple and direct technologies, a respect for site, climate, place and culture. Together, these disciplines represent for me a fantastic platform for experimentation and expression. Of particular importance is the junction of the rational and the poetic resulting hopefully in works that resonate and belong to where they reside.
Fashion is where I make my living. I'm not knocking it; it's a pleasure to make a living that way. Then there's the deeper pleasure of doing my portraits.
Style is not something applied. It is something that permeates. It is of the nature of that in which it is found, whether the poem, the manner of a god, the bearing of a man. It is not a dress.
Glamour is something more than what you put on your body. It has to do with the way you carry yourself and the impact you have on others.
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