What did I care about my hammer, about my bolt, about thirst or death? There was, on one star, on one planet, on mine, the Earth, a little prince to be consoled! I took him in my arms. I rocked him. I told him, 'The flower you love is not in danger...I'll draw you a muzzle for your sheep...I'll draw you a fence for your flower...I' I didn't know what to say. How clumsy I felt! I didn't know how to reach him, where to find him...It's so mysterious, the land of tears.
Interpretation
This quote expresses deep care and devotion towards someone special, emphasizing the significance of love over material concerns.
In this poignant excerpt, the narrator reflects on the profound connection and commitment he feels towards 'the little prince.' He prioritizes the emotional well-being of this beloved figure above his own struggles and material possessions, illustrating how love can overshadow life's hardships and uncertainties. The mention of creating protections and reassurance for the prince's flower symbolizes the tender and protective nature of love, which seeks to comfort and safeguard those we cherish, even when faced with the complexities of existence.
In practice
This quote would be perfect in a speech about the importance of nurturing relationships.
Grown-ups love figures... When you tell them you've made a new friend they never ask you any questions about essential matters. They never say to you "What does his voice sound like? What games does he love best? Does he collect butterflies? " Instead they demand "How old is he? How much does he weigh? How much money does his father make? " Only from these figures do they think they have learned anything about him.
Attitude is a paintbrush. It colors everything!
Water, thou hast no taste, no color, no odor; canst not be defined, art relished while ever mysterious. Not necessary to life, but rather life itself, thou fillest us with a gratification that exceeds the delight of the senses.
In those days, I didn't understand anything. I should have judged her according to her actions, not her words. She perfumed my planet and lit up my life. I should never have run away! I ought to have realized the tenderness underlying her silly pretensions. Flowers are so contadictory! But I was too young to know how to love her.
When a mystery is too overpowering, one dare not disobey.
When the body sinks into death, the essence of man is revealed. Man is a knot, a web, a mesh into which relationships are tied. Only those relationships matter. The body is an old crock that nobody will miss. I have never known a man to think of himself when dying. Never.
The people who are most attractive to me are those who feel most comfortable in their skin - there's a sense of self-acceptance.
The pleasures of love are always in proportion to our fears.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
He that is jealous is not in love.
The love of a Sage for his fellows likewise finds expression amongst mankind. Were he not told sop, he would not know that he loved his fellows. But whether he knows it or whether he does not know it, whether he hears it or whether he does not hear it, his love for his is without end, and mankind cease not to repose therein.
A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
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