A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Sam ShepardRead
It's very difficult to escape your background. You know, I don't think it's necessary to even try to escape it. More and more, I start to think that it's necessary to see exactly what it is that you inherited on both ends of the stick: your timidity, your courage, your self-deceit, and your honesty - and all the rest of it.
Interpretation
Understanding one's background is crucial for personal growth, rather than trying to escape it.
In this quote, Sam Shepard suggests that individuals should embrace and comprehend their backgrounds, including both strengths and weaknesses, rather than attempting to disregard or escape them. Acknowledging the dual nature of inherited traits such as courage and timidity can lead to greater self-awareness and personal development.
In practice
In a personal development seminar, one might quote this to highlight the importance of understanding one's own background.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
There are two great gifts which God, in his love for man, has granted from on high: the priesthood and the imperial dignity.
Who would wish to be among the commonplace crowd of the little famous - who are each individually lost in a throng made up of themselves?
That is why Christians are told not to judge. We see only the results which a man's choices make out of his raw material. But God does not judge him on the raw material at all, but on what he has done with it.
There are a lot of very brilliant people who believe that the nation-state is fast becoming a relic of the past.
The more a book is like an opium pipe, the more the Chinaman reader is satisfied with it and tends to discuss the quality of the drug rather than its lethargic effects.
But the child's sob curses deeper in the silence than the strong man in his wrath!
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