There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
Ava DuvernayRead
It's emotional for artists who are women and people of color to have less value placed on our worldview.
Interpretation
Ava Duvernay emphasizes the struggle of women and artists of color in gaining recognition and respect for their perspectives in the art world.
In this quote, Ava Duvernay sheds light on the systemic undervaluation of the artistic perspectives of women and people of color. She points to a broader societal issue where their contributions and worldviews are often marginalized, leading to emotional distress among these artists who seek validation and appreciation for their unique voices and experiences.
In practice
In a panel discussion about representation in film, this quote can illustrate the emotional impact of underrepresentation.
There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
I think for female filmmakers a big issue is making their second and third films.
When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
You've got to sing from the depths of the heart. Without heart, you cannot be a Qawwal.
There was a beauty in the trash of the alleys which I had never noticed before; my vision seemed sharpened, rather than impaired. As I walked along it seemed to me that the flattened beer cans and papers and weeds and junk mail had been arranged by the wind into patterns; these patterns, when I scrutinized them, lay distributed so as to comprise a visual language.
I have the most openness about my art... It's total freedom and willingness to work. I'm willing really to walk on the edge, and if I haven't achieved it, that's where I want to go. But in my life - maybe because my life has been so traumatic, so absurd - there hasn't been one normal, happy thing.
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.
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