Translation is not a matter of words only: it is a matter of making intelligible a whole culture.
Anthony BurgessRead
Every grain of experience is food for the greedy growing soul of the artist.
Interpretation
Experience enriches the soul of an artist, fostering their growth and creativity.
In this quote, Anthony Burgess suggests that every experience we have contributes to the development of an artist's soul. Just as a plant grows by absorbing nutrients from the soil, an artist thrives on their experiences, feeding their creativity and expanding their artistic vision. The metaphor of 'food' emphasizes the necessity and value of experiences in nurturing and cultivating one's artistic abilities.
In practice
In a speech about artistic development at a college graduation.
Translation is not a matter of words only: it is a matter of making intelligible a whole culture.
There is a satisfactory boniness about grammar which the flesh of sheer vocabulary requires before it can become a vertebrate and walk the earth.
There was me, that is Alex, and my three droogs, that is Pete, Georgie and Dim, Dim being really dim, and we sat in the Korova Milkbar making up our rassoodocks what to do with the evening.
Violence among young people is an aspect of their desire to create. They don't know how to use their energy creatively so they do the opposite and destroy.
Only in England is the perversion of language regarded as a victory for democracy.
You needn't take it any further, sir. You've proved to me that all this ultraviolence and killing is wrong, wrong, and terribly wrong. I've learned me lesson, sir. I've seen now what I've never seen before. I'm cured! Praise Bog! I'm cured!
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
If everybody became a poet the world would be much better. We would all read to each other.
Style is something each of us already has, all we need to do is find it.
One of the things that I tell beginning writers is this: If you describe a landscape, or a cityscape, or a seascape, always be sure to put a human figure somewhere in the scene. Why? Because readers are human beings, mostly interested in human beings. People are humanists. Most of them are humanists, that is.
And I may often question choices I make as a producer. But I've never questioned the choices I make as a director.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
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