There are days we live_x000D_ as if death were nowhere_x000D_ in the background; from joy _x000D_ to joy to joy, from wing to wing,_x000D_ from blossom to blossom to_x000D_ impossible blossom, to sweet impossible blossom.
Li-Young LeeRead
Every time you write a poem it’s apocalyptic. You’re revealing who you really are to yourself.
Interpretation
Writing poetry exposes one's inner self and truths.
This quote by Li-Young Lee highlights the profound nature of poetry as a form of self-exploration and revelation. Each poem acts as a personal apocalypse, unveiling hidden emotions, thoughts, and aspects of the self that one may not fully comprehend until they are expressed through the written word, suggesting that the act of creation is both transformative and illuminating.
In practice
In a poetry workshop, to encourage participants to explore their inner thoughts.
There are days we live_x000D_ as if death were nowhere_x000D_ in the background; from joy _x000D_ to joy to joy, from wing to wing,_x000D_ from blossom to blossom to_x000D_ impossible blossom, to sweet impossible blossom.
Brimming. That's what it is, I want to get to a place where my sentences enact brimming.
A bruise, blue in the muscle, you impinge upon me. As bone hugs the ache home, so I'm vexed to love you, your body the shape of returns, your hair a torso of light, your heat I must have, your opening I'd eat, each moment of that soft-finned fruit, inverted fountain in which I don't see me.
A poem should not mean but be.
Look, Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
I find that the only way to make my characters really interesting to children is to exaggerate all their good or bad qualities, and so if a person is nasty or bad or cruel, you make them very nasty, very bad, very cruel. If they are ugly, you make them extremely ugly. That, I think, is fun and makes an impact.
Beautiful things don't ask for attention.
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