Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
John KeatsRead
The genius of poetry must work out its own salvation in a man; it cannot be matured by law and precept, but by sensation and watchfulness in itself. That which is creative must create itself.
Interpretation
True creativity stems from within and cannot be forced by external rules.
In this quote, John Keats emphasizes that the essence of artistic genius, particularly in poetry, arises from an individual's internal experiences and observations rather than from strict guidelines or teachings. He argues that genuine creativity must be cultivated through personal engagement and sensitivity to one's feelings and surroundings, suggesting that true artistic expression is a natural and self-initiated process.
In practice
This quote is perfect for inspiring students during an art class.
Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
Are there not thousands in the world who love their fellows even to the death, who feel the giant agony of the world, and more, like slaves to poor humanity, labor for mortal good?
Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it — make it rich as a draught of poppies to intoxicate me —write the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair.
Faded the flower and all its budded charms,Faded the sight of beauty from my eyes,Faded the shape of beauty from my arms,Faded the voice, warmth, whiteness, paradise!Vanishd unseasonably
I think we may class the lawyer in the natural history of monsters.
...I leaped headlong into the Sea, and thereby have become more acquainted with the Soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice.
All novelists should live in two different worlds: a real one and an unreal one.
Well, in the theater, I think you're actually more responsible for what is going on onstage as a director than you are in film.
The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.
Creativity is the residue of time wasted.
The object of art is not to make salable pictures. It is to save yourself.
Dialogue is what a character's willing to share and reveal to another character, and the 90% they aren't willing to share is what I do for a living.
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