To starve a child of the spell of the story, of the canter of the poem, oral or written, is a kind of living burial. It is to immure him in emptiness.
George SteinerRead
The most important tribute any human being can pay to a poem or a piece of prose he or she really loves is to learn it by heart. Not by brain, by heart; the expression is vital.
Interpretation
Learning a beloved poem or piece of prose by heart is the highest form of appreciation.
George Steiner emphasizes the deep connection between a person and a piece of literary art when one commits it to memory. To learn something 'by heart' signifies an emotional and personal engagement with the text, transcending mere intellectual understanding, thus highlighting the transformative power of literature in human experience.
In practice
This quote can inspire students in a poetry class to memorize their favorite poems.
To starve a child of the spell of the story, of the canter of the poem, oral or written, is a kind of living burial. It is to immure him in emptiness.
Every language is a world. Without translation, we would inhabit parishes bordering on silence.
I have every reason to believe that an individual man or woman fluent in several tongues seduces, possesses, remembers differently according to his or her use of the relevant language.
It took 10 months for me to learn to tie a lace; I must have howled with rage and frustration. But one day I could tie my laces. That no one can take from you. I profoundly distrust the pedagogy of ease.
The letter kills the spirit. The written text is mute in the face of responding challenge. It does not admit of inward growth and correction. Text subverts the absolutely vital role of memory.
Books are in no hurry. An act of creation is in no hurry; it reads us, it privileges us infinitely. The notion that it is the occasion for our cleverness fills me with baffled bitterness and anger.
I can only think of music as something inherent in every human being - a birthright. Music coordinates mind, body and spirit.
A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.
Everything that an artist does is a risk. Some people want you to stay the same. If you want to evolve, they want to keep you in a certain place.
Asking a working writer what he thinks about critics is like asking a lamp-post what it feels about dogs.
For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.
The word war itself has a kind of glazing abstraction to it that conjures up bombs and bullets and so on, whereas my goal is to try to, so much as I can, capture the heart and the stomach and the back of the throat of readers who can lie in bed at night and participate in a story.
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