Standards are always out of date. That's what makes them standards.
Alan BennettRead
You don't put your life into your books, you find it there.
Interpretation
Books reflect and reveal truths about life rather than being mere vessels of personal experiences.
This quote suggests that literature serves as a mirror to our existence. Instead of just pouring our life experiences into our writing, we often discover and understand our own lives and the human experience through reading and engaging with literature. This encourages a deeper connection with the narrative structures that echo our realities and feelings.
In practice
During a book club discussion about the transformative power of literature.
Standards are always out of date. That's what makes them standards.
To begin with, it's true, she read with trepidation and some unease. The sheer endlessness of books outfaced her and she had no idea how to go on; there was no system to her reading, with one book leading to another, and often she had two or three on the go at the same time.
A book is a device to ignite the imagination.
Those who have known the famous are publicly debriefed of their memories, knowing as their own dusk falls that they will only be remembered for remembering someone else.
To read is to withdraw.To make oneself unavailable. One would feel easier about it if the pursuit inself were less...selfish.
The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
I do like people to read the books twice, because I write my novels about ideas which concern me deeply and I think are important, and therefore I want people to take them seriously. And to read it twice of course is taking it seriously.
You could compile the worst book in the world entirely out of selected passages from the best writers in the world.
People in my novels always have terrible problems. If they are not terrible, I make them more terrible.
I don't know the literary world; I was scared of being confronted with famous names, not knowing what they had written. It was occupied territory I was entering.
Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
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