The possibility of being as free with the camera as we are with the pen is a fantastic prospect for the creative life of the 21st century.
Carlos FuentesRead
In literature, you know only what you imagine
Interpretation
Imagination is the key to understanding literature.
This quote by Carlos Fuentes suggests that the interpretation of literature is heavily reliant on the reader's imagination. In literary works, meaning is not solely derived from the text itself but is also shaped by the individual reflections, emotions, and creativity that each reader brings to their experience of the literature.
In practice
Use this quote to encourage students to engage with literature during a class discussion.
The possibility of being as free with the camera as we are with the pen is a fantastic prospect for the creative life of the 21st century.
Writing is a struggle against silence.
Literature overtakes history, for literature gives you more than one life. It expands experience and opens new opportunities to readers.
One wants to tell a story, like Scheherezade, in order not to die. It's one of the oldest urges in mankind. It's a way of stalling death.
No, it's not that they're bad. It's that they're obliged to pretend they're good. They've been brought up to deceive and be cunning, to protect themselves from our society. I don't want to be like that.
You have an absolute freedom in Mexican writing today in which you don't necessarily have to deal with the Mexican identity. You know why? Because we have an identity... We know who we are. We know what it means to be a Mexican.
The king died and then the queen died is a story. The king died, and then queen died of grief is a plot.
I believe that all novels, ... deal with character, and that it is to express character β not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.
It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham. He was always so entirely there.
He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. . . . He was naturally learn'd; he needed not the spectacles of books to read Nature; he looked inwards, and found her there. . . . He is many times flat, insipid; his comic wit degenerating in to clenches, his serious swelling into bombast. But he is always great, when some occasion is presented to him.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
He's a great writer. If I didn't think so I wouldn't have tried to kill him... I was the champ and when I read his stuff I knew he had something. So I dropped a heavy glass skylight on his head at a drinking party. But you can't kill the guy. He's not human.
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