To starve a child of the spell of the story, of the canter of the poem, oral or written, is a kind of living burial. It is to immure him in emptiness.
We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning.
Interpretation
What this quote means
This quote reflects the duality of human existence, showcasing the contrast between beauty and horror.
In this quote, George Steiner highlights the ability of individuals to engage deeply with art and culture while simultaneously participating in acts of great moral atrocity. It underscores a profound philosophical observation about the human condition; that one can inhabit a world filled with beauty and culture yet also face the reality of human evil, exemplified by the reference to Auschwitz. This dual existence raises questions about the nature of humanity and the capacity for both creation and destruction.
Themes
In practice
Example use cases
In a discussion on the resilience of the human spirit during dark times.
More from George Steiner
All quotes →The most important tribute any human being can pay to a poem or a piece of prose he or she really loves is to learn it by heart. Not by brain, by heart; the expression is vital.
Every language is a world. Without translation, we would inhabit parishes bordering on silence.
I have every reason to believe that an individual man or woman fluent in several tongues seduces, possesses, remembers differently according to his or her use of the relevant language.
It took 10 months for me to learn to tie a lace; I must have howled with rage and frustration. But one day I could tie my laces. That no one can take from you. I profoundly distrust the pedagogy of ease.
The letter kills the spirit. The written text is mute in the face of responding challenge. It does not admit of inward growth and correction. Text subverts the absolutely vital role of memory.
Similar quotes
Allegories are, in the realm of thought, what ruins are in the realm of things.
It is hard not to see into the future, faced with today's blind architecture - a thousand times more stupid and more revolting than that of other ages. How bored we shall be inside!
The observer, when he seems to himself to be observing a stone, is really, if physics is to be believed, observing the effects of the stone upon himself.
Actual life was chaos, but there was something terribly logical in the imagination. It was the imagination that set remorse to dog the feet of sin. It was the imagination that made each crime bear its misshapen brood. In the common world of fact the wicked were not punished, nor the good rewarded. Success was given to the strong, failure thrust upon the weak. That was all.
Always keep your foes confused. If they are never certain who you are or what you want, they cannot know what you are like to do next. Sometimes the best way to baffle them is to make moves that have no purpose, or even seem to work against you. Remember that, Sansa, when you come to play the game.” “What . . . what game?” “The only game. The game of thrones.” -(Littlefinger)
To injure an opponent is to injure yourself. To control aggression without inflicting injury is the Art of Peace.