Music isn't about music, it's about life.
Herbie HancockRead
So much of what I create has been due to the influence of Miles Davis and Donald Byrd, and so many of those that have passed on. Their music, their legacy lives on with the rest of us because we are so highly influenced by their experience and what they have given us.
Interpretation
This quote highlights the enduring impact of influential artists on contemporary creators.
Herbie Hancock reflects on the profound influence that jazz musicians Miles Davis and Donald Byrd, along with other artists who have passed away, have had on his own creative work. He emphasizes that their music and legacy continue to enrich and inspire the lives of those who follow them, demonstrating the timeless nature of artistic expression and the interconnectedness of artists across generations.
In practice
In a speech at a music education conference, one might use this quote to discuss the importance of learning from past artists.
Music isn't about music, it's about life.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
I think people have learned that Herbie Hancock can be defined as someone that you won't be able to figure out what he's going to do next. The sky is the limit as far as I'm concerned.
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.
The rhythm, the sounds, the tonality, the chord sequences, the individual effect of each instrument and each section of the band - I'm talking about a whole continent in my music.
For me personally, Elliott Carter was and remains one of the most meaningful composers of the late 20th and early 21st centuries because he represents substance. He was the living proof of uncompromising, complex music, which at first seems inaccessible. But it becomes accessible if one digs in and sees the development through.
I think an artist, in my definition of that word, would not be someone who takes sides with the emperor against his powerless subjects. That's different from prescribing a way in which a writer should write.
One does not contemplate it like a picture. The idea of contemplation disappears completely. Simply take note that it's a bottle rack, or that it's a bottle rack that has changed its destination... It's not the visual question of the readymade that counts; it's the fact that it exists, even.
Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential.
When you have the best and tastiest ingredients, you can cook very simply and the food will be extraordinary because it tastes like what it is.
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