One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
Roger ScrutonRead
I do ask myself why I make people so enraged, because I only ever say what I think. And while I know it might not be everyone's point of view, that doesn't seem particularly intolerable to me.
Interpretation
What this quote means
The quote reflects the author's contemplation on the reactions to his honest expressions of thought, highlighting the tension between individuality and societal tolerance.
Roger Scruton expresses an introspective inquiry into why his candid viewpoints often provoke anger in others. He acknowledges that his thoughts may not align with the majority, yet he finds it perplexing that honesty would be deemed intolerable. This quote delves into the broader theme of free expression and the societal norms that dictate acceptable discourse.
Themes
HonestyToleranceExpressionIndividualitySocietyViewpoint
In practice
Example use cases
During a panel discussion on free speech, one might reference this quote to highlight the importance of honesty in dialogue.
More from Roger Scruton
All quotes →There are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
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18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
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The robust English view used to be that the correct response to offensive words is to ignore them, or to answer them with a rebuke. If you invoke the law at all, it should be to protect the one who gives the offence, and not the one who takes it. Now, it seems, it is all the other way round.
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For two centuries the English countryside has been an icon of national identity and the loved reminder of our island home. Yet the government is bent on littering the hills with wind turbines and the valleys with high speed railways.
Roger ScrutonRead
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
Roger ScrutonRead
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