Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
Constantin StanislavskiRead
Play well, or play badly, but play truly.
Interpretation
The quote emphasizes the importance of authenticity and honesty in performance, regardless of skill level.
Constantin Stanislavski's quote suggests that in the realm of acting or artistic expression, it is essential to be genuine and sincere in one's performance. Whether a performer excels or struggles, the truthfulness of their portrayal resonates more than technical perfection. It encourages artists to connect deeply with their characters and emotions, prioritizing honesty over superficial excellence.
In practice
In a theater workshop focusing on emotional honesty, this quote could inspire participants to embrace their true selves.
Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.
The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite.
When an actor is completely absorbed by some profoundly moving objective so that he throws his whole being passionately into its execution, he reaches a state we call inspiration.
Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.
I don't like to make strong statements. I want to write strong novels... I keep my deep, radical things for my novels.
I was glamorous because of magicians like George Folsey, James Wong Howe, Oliver Marsh, Ray June, and all those other great cinematographers. I trusted those men and the other experts who made us beautiful. The rest of it I didn't give a damn about. I didn't fuss about my clothes, my lighting, or anything else, but, believe me, some of them did.
A polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colourful, senseless and unknowing. Polka-dots can't stay alone; like the communicative life of people, two or three polka-dots become movement... Polka-dots are a way to infinity.
To hell with facts! We need stories.
A product can live on one great idea. An interior needs 1,000 great ideas to really live, which makes interior design a whole orchestration of this art of juxtaposition, placement, and combination.
Getting the player emotionally involved is the holy grail. We try to make players forget they're playing a game. We want them to live the experience and suspend disbelief.
Subscribe for the occasional hand-picked quote. No noise.