Present-day Spain translates as many books into Spanish, annually, as the Arab world has translated into Arabic in the past 1,100 years.
Interpretation
This quote highlights the stark contrast in literary translation efforts between modern Spain and the Arab world over a significant period.
Martin Amis's quote underscores the vast difference in cultural and literary engagement between present-day Spain and the historical context of the Arab world. By comparing the annual number of translations in Spain to the total number of translations in Arabic over 1,100 years, Amis emphasizes a concerning lack of literary production and accessibility in the Arab world, reflecting on issues of knowledge dissemination and cultural exchange.
In practice
In a speech about the importance of education, this quote can illustrate the value of translation in enriching literature.
Oh Christ, the exhaustion of not knowing anything. It's so tiring and hard on the nerves. It really takes it out of you, not knowing anything. You're given comedy and miss all the jokes. Every hour you get weaker. Sometimes, as I sit alone in my flat in London and stare at the window, I think how dismal it is, how heavy, to watch the rain and not know why it falls.
Sometimes I feel that life is passing me by, not slowly either, but with ropes of steam and spark - spattered wheels and a hoarse roar of power or terror. It's passing, yet I'm the one who's doing all the moving.
You know how it is when two souls meet in a burst of ecstatic volubility, with hearts tickling to hear and to tell, to know everything, to reveal everything, the shared reverence for the other's otherness, a feeling of solitude radiantly snapped by full *contact* - all that?
All my adult life I have been searching for the right adjective to describe my father's peculiarly aggressive comic style. I recently settled on 'defamatory.'
Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
Jane was my wicked stepmother: she was generous, affectionate and resourceful; she salvaged my schooling and I owe her an unknowable debt for that. One flaw: sometimes, early on, she would tell me things designed to make me think less of my mother, and I would wave her away, saying, Jane, this just backfires and makes me think less of you.
If you don't feel safe as a child, you can't learn.
I did go through graduate school and I like to do research, to create something that has a certain objective solidity. The same thing influences my fiction to some degree, because, you know, my fiction is often based on history that I've read.
One very common thing is that often very brilliant children stop working because they're praised so often that it's what they want to live as - brilliant - not as someone who ever makes mistakes. It really stunts their motivation.
Let us labor for that larger comprehension of truth, and that more thorough repudiation of error, which shall make the history of mankind a series of ascending developments.
Helping people to connect with their personal creative capacities is the surest way to release the best they have to offer.
It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers.
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