My best advice: Fall in love with what you do for a living.
George BurnsRead
Retire? I'm going to stay in show business until I'm the only one left
Interpretation
This quote expresses a commitment to one's passion and career, suggesting that the speaker will continue until there's no one left in the industry.
George Burns humorously implies that he will remain engaged in show business for as long as possible, highlighting his dedication and love for his craft. It reflects the idea that true passion and enjoyment in one's work can often outweigh considerations of retirement or age, showcasing an enduring commitment to one's art.
In practice
This quote would be great to share during a panel discussion about lifelong careers in the arts.
My best advice: Fall in love with what you do for a living.
I honestly think it is better to be a failure at something you love than to be a success at something you hate.
You can't help getting older, but you don't have to get old.
I don't believe in dying. It's been done. I'm working on a new exit. Besides, I can't die now - I'm booked.
I get up every morning and read the obituary column. If my name's not there, I eat breakfast.
I'd rather be a failure at something I love than a success at something I hate.
I've loved every minute I've spent in television. And I've had much more failure, as traditionally measured, than success in television. I've done four shows, and only one of them was the 'West Wing.'
Collage is the noble conquest of the irrational, the coupling of two realities, irreconcilable in appearance, upon a plane which apparently does not suit them.
Actually, documentary pictures include every subject in the world - good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
The trap into which all writers have, will, or should fall into, of writing The Great American Watchamacallit, is such an uncluttered and inviting one that from time to time I'm sure even the greatest have to pull themselves up short by the Shift key to remind themselves that it is story first that they should write.
In the best works of fiction, there's no mustache-twirling villain. I try to write shows where even the bad guy's got his reasons.
I've yet to meet somebody who said, 'Your stories are so revolting I couldn't read them.'
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