Rosencrantz: We might as well be dead. Do you think death could possibly be a boat? Guildenstern: No, no, no... Death is...not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being. You can't not-be on a boat. Rosencrantz: I've frequently not been on boats. Guildenstern: No, no, no--what you've been is not on boats.
Interpretation
This quote discusses the nature of existence and non-existence, using the metaphor of a boat to explore the concept of death.
In this exchange from Tom Stoppard's 'Rosencrantz and Guildenstern Are Dead', the characters grapple with the idea of death and existence. Guildenstern emphasizes that death is synonymous with non-existence, and that being on a boat implies existence, thus arguing against the idea of death being something you can experience like being on a boat. This highlights the absurdity of trying to conceptualize death in familiar terms and raises questions about what it means to truly 'be'.
In practice
This quote could be used in a philosophical discussion about the nature of existence and what it means to live.
Love is - OK, it's 20 things, but it isn't 19. And I think that love reaches for something which is very, very deep in us and is very easily obscured, and is also very easily denied, which is the instinct towards the other person, other than toward the self.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
I once did a radio program with a famous materialist, that is to say a scientist who believed that absolutely everything was physical and that all emotions were reductive to little electrical impulses in your neurons. And I found that I didn't believe that. But what the emotions really are, I don't have an alternative theory.
One of the reasons why there are so many versions of Chekhov is that translations date in a way that the original doesn't; translations seem to be of their time.
A Chinaman of the T'ang Dynasty—and, by which definition, a philosopher—dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; in his two-fold security.
Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
People talk about places like Mumbai as a tale of two cities, as if the rich and poor don't have anything to do with each other.
I tell people, and it's the truth, I could sit in my garage for a week and it won't make me a car. And you can sit in church till your bottom is flat and that won't make you a servant of Christ.
The most awful tyranny is that of the proximate Utopia where the last sins are currently being eliminated and where, tomorrow, there will be no more sins because all the sinners will have been wiped out.
One of the amazing things about Spider-Man is that you don’t see skin colour when he’s in the suit. You don’t see any religious beliefs. A hero is a hero, whether you’re a man, woman, gay, lesbian, straight, black, white or red all over ― it doesn’t matter.
Freedom is messy. In free societies, people will fall through the cracks - drink too much, eat too much, buy unaffordable homes, fail to make prudent provision for health care, and much else. But the price of being relieved of all those tiresome choices by a benign paternal government is far too high. Big Government is the small option: it's the guarantee of smaller freedom, smaller homes, smaller cars, smaller opportunities, smaller lives.
Not that it was beautiful, but that I found some order there.
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