The fact of the matter is that the 'real world' is to a large extent unconsciously built up on the language habits of the group.
Edward SapirRead
A standard international language should not only be simple, regular, and logical, but also rich and creative.
Interpretation
A universal language must balance clarity and creativity.
Edward Sapir emphasizes that an ideal international language should possess qualities that enable effective communication while also inspiring creativity. A language that is merely straightforward and systematic may lack the richness and expressive capacity needed for cultural and artistic exchanges, highlighting the need for a harmonious blend of simplicity and complexity in language development.
In practice
In a speech about the importance of learning new languages, this quote can highlight the balance needed in language education.
The fact of the matter is that the 'real world' is to a large extent unconsciously built up on the language habits of the group.
National languages are all huge systems of vested interests which sullenly resist critical inquiry.
In a sense, every form of expression is imposed upon one by social factors, one's own language above all.
No important national language, at least in the Occidental world, has complete regularity of grammatical structure, nor is there a single logical category which is adequately and consistently handled in terms of linguistic symbolism.
No two languages are ever sufficiently similar to be considered as representing the same social reality.
It would, of course, be hopeless to attempt to crowd into an international language all those local overtones of meaning which are so dear to the heart of the nationalist.
Language is a process of free creation; its laws and principles are fixed, but the manner in which the principles of generation are used is free and infinitely varied. Even the interpretation and use of words involves a process of free creation.
Language is one of the greatest gifts man has devised for himself. It ranks, alongside the discovery of fire and the wheel, as a major influence in making modern man what he is today.
The living language is like a cowpath: it is the creation of the cows themselves, who, having created it, follow it or depart from it according to their whims or their needs. From daily use, the path undergoes change. A cow is under no obligation to stay
There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well.
Part of what makes a language 'alive' is its constant evolution. I would hate to think Britain would ever emulate France, where they actually have a learned faculty whose job it is to attempt to prevent the incursion of foreign words into the language. I love editing Harry with Arthur Levine, my American editor-the differences between 'British English' (of which there must be at least 200 versions) and 'American English' (ditto!) are a source of constant interest and amusement to me.
Language is not an abstract construction of the learned, or of dictionary makers, but is something arising out of the work, needs, ties, joys, affections, tastes, of long generations of humanity, and has its bases broad and low, close to the ground
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