In professional work - certainly in the arts and graphics - 99% of people have zero courage. They blow with the wind.
George LoisRead
Truly great images make all the other millions of images you look at unimportant. You gotta look at an image and understand it in a nanosecond.
Interpretation
The quote emphasizes the uniqueness and impact of exceptional images over countless others, highlighting the need for quick understanding.
George Lois suggests that truly remarkable images stand out in a sea of visual content, rendering most other images insignificant. He highlights the importance of being able to grasp the essence of an image almost instantaneously, reflecting on the power of visual art to convey complex ideas and emotions quickly.
In practice
In a photography class, this quote can inspire students to focus on creating impactful images.
In professional work - certainly in the arts and graphics - 99% of people have zero courage. They blow with the wind.
You can't test great advertising. You can only test the mediocre. Not that I don't care about demographics. You have to understand who you're going after.
In any creative industry, the fact that others are moving in a certain direction is always proof positive, at least to me, that a new direction is the only direction.
I've done truth to power all my life. It's got me into trouble, but who cares?
I don't design. I get what I think is a big idea, and I put the idea down. I'm not a designer. I'm a communicator.
Great advertising, in and of itself, becomes a benefit of the product.
What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.
I'm the haphazard engineer of my own music.
I am like a caricature of myself, and I like that. It is like a mask. And for me the Carnival of Venice lasts all year long.
Architecture is about public space held by buildings.
I came to the realization that I can also satisfy my creative side by giving somebody else a chance. I don't have to be in front of the camera for every project.
I had grown up as an Irish poet in a country where the distance between vision and imagination was not quite as wide as in some other countries.
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