I have a responsibility to pass on to the next generation what I learned from my teachers, ... It keeps me young and reminds me where I came from. Teaching young artists is like giving water to a flower.
Isaac SternRead
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I have a responsibility to pass on to the next generation what I learned from my teachers, ... It keeps me young and reminds me where I came from. Teaching young artists is like giving water to a flower.
Dont call me a rapper, I’m an artist. Update your minds. I ‘INCORPORATE’ hip hop elements because I am part MC, but I am all things musical. All things melodically beautiful.
Blacks own so little of the music business, it's pathetic. But I see that changing soon. Black artists, black businessmen and women will unite.
I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
Drawing is the artist's most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality.
All art is a memory of age-old things, dark things, whose fragments live on in the artist.
The architect must be a prophet... a prophet in the true sense of the term... if he can't see at least ten years ahead don't call him an architect.
The architect should strive continually to simplify; the ensemble of the rooms should then be carefully considered that comfort and utility may go hand in hand with beauty.
All art speaks in signs and symbols. No one can explain how it happens that the artist can waken to life in us the existence that he has seen and lives through. No artistic speech is the adequate expression of what it represents; its vital force comes from what is unspoken in it.
Perhaps the mission of an artist is to interpret beauty to people - the beauty within themselves.
The artist appeals to that part of our being...which is a gift and not an acquisition - and, therefore, more permanently enduring.
The artist is a collector of things imaginary or real. He accumulates things with the same enthusiasm that a little boy stuffs his pockets. The scrap heap and the museum are embraced with equal curiosity. He takes snapshots, makes notes and records impressions on tablecloths or newspapers, on backs of envelopes or matchbooks. Why one thing and not another is part of the mystery, but he is omnivorous.
Sometimes, being a feminist artist, there are times where I'm in a position where I just want to feel like I'm saying all the right things politically, or I feel like I have to mention my own project over other people's projects. But I don't do that anymore. I just want to be off the cuff and honest.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
No one has ever laughed at a pun who did not see in the one word a twofold meaning. To materialists this world is opaque like a curtain; nothing can be seen through it. A mountain is just a mountain, a sunset just a sunset; but to poets, artists, and saints, the world is transparent like a window pane - it tells of something beyond....a mountain tells of the Power of God, the sunset of His Beauty, and the snowflake of His Purity.
Music is art, and art is important and rare. Important, rare things are valuable. Valuable things should be paid for. It’s my opinion that music should not be free, and my prediction is that individual artists and their labels will someday decide what an album’s price point is. I hope they don’t underestimate themselves or undervalue their art.
I find in all the artists that I admire most a disturbing element, a distortion, giving evidence of a struggle . . . . In great art, this conflict is hidden, it is unresolved. All that is bursting with energy is disturbing - not perfect.
The poet, the artist, the sleuth, whoever sharpens our perception tends to antisocial; rarely 'well adjusted,' he cannot go along with currents and trends.
On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
You have to have an idea of what you are going to do, but it should be a vague idea.
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