Present-day Spain translates as many books into Spanish, annually, as the Arab world has translated into Arabic in the past 1,100 years.
Martin AmisRead
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Present-day Spain translates as many books into Spanish, annually, as the Arab world has translated into Arabic in the past 1,100 years.
I like books that are fat and full.
First it was the whites, and then their Negro message bearers. And the word was always the same: 'Tell your sons to take their names off the books. Don't show up at the courthouse voting day.'
When we talk about books, we rarely talk about the economic side of writing, especially of writing literary works, and that, at base, it's a pretty costly enterprise.
To return to the books of my childhood is to yield to the strain of nostalgia that is curious about the self I once was.
Read some good, heavy, serious books just for discipline: Take yourself in hand and master yourself.
In my day, MI6 - which I called the Circus in the books - stank of wartime nostalgia. People were defined by secret cachet: one man did something absolutely extraordinary in Norway; another was the darling of the French Resistance. We didn't even show passes to go in and out of the building.
My books are not about how it feels to be a black man. My books are about how it feels to be a human being, and part of what I'm trying to sort out is what we mean - what I mean, what you mean, what everybody in the culture means - when they say 'black man,' or they say 'white person.'
When I climb into my car, I enter my destination into a GPS device, whose spatial memory supplants my own. I have photographs to store the images I want to remember, books to store knowledge and now, thanks to Google, I rarely have to remember anything more than the right set of search terms to access humankind's collective memory.
My books are elegiac in the sense that they're odes to a nation that even I sometimes think may not exist anymore except in my memory and my imagination.
I am not in the business of suppressing books.
When you're hanging out with your friends, you reference books and movies, and you don't always know if your friends know what you're referencing. But you throw it out there, and if it connects, it makes people laugh.
No books ever go into my laboratory. The thing I am to do and the way are revealed to me the moment I am inspired to create something new. Without God to draw aside the curtain, I would be helpless. Only alone can I draw close enough to God to discover His secrets.
The reason why books endure is because there are enough people who like them. It's the only reason why books last.
I was read to as a small child, I read on my own as soon as I could, and I recall being more or less overwhelmed again and again - if not by what the books actually said, by what they suggested, what they helped me to imagine.
Growing up in Orangeburg, I didn't know that I lived in the 'corridor of shame.' I was the son of a single mom who learned to read from comic books. My grandparents helped raise me.
When I travel, I make certain that I spend at least half of my time in the field. You have to get out to meet people that are in poverty, that are looking to improve their lives. That's something that you can't read in books.
As always, a lot of bad books will be published. Some good books will be published, and you have to seek them out.
When I was growing up reading history books as a young student, it seemed all wars had a winner. Yet in today's wars, it is increasingly clear that no one wins. Everyone loses.
One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
Self-improvement books, friends, and polite strangers often tell soothing lies about our physical appearance that prevent many of us from facing, discussing, and solving our real problems.
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