Quotes on Conversation

People will then often say, 'But surely it's better to remain an Agnostic just in case?' This, to me, suggests such a level of silliness and muddle that I usually edge out of the conversation rather than get sucked into it. (If it turns out that I've been wrong all along, and there is in fact a god, and if it further turned out that this kind of legalistic, cross-your-fingers-behind-your-back, Clintonian hair-splitting impressed him, then I think I would choose not to worship him anyway.)

Silence is one of the great arts of conversation.

If nobody talks about books, if they are not discussed or somehow contended with, literature ceases to be a conversation, ceases to be dynamic. Most of all, it ceases to be intimate. It degenerates into a monologue or a mutter. An unreviewed book is a struck bell that gives no resonance. Without reviews, literature would be oddly mute in spite of all those words on all those pages of all those books. Reviewing makes of reading a participant sport, not a spectator sport.

A book is an attempt to make through permanent and to contribute to the great conversation conducted by authors of the past. […] The telegraph is suited only to the flashing of messages, each to be quickly replaced by a more up-to-date message. Facts push other facts into and then out of consciousness at speeds that neither permit nor require evaluation. (70)

You think that the heads of state only have serious conversations, but they actually often begin really with the weather or, 'I really like your tie.'

The only way to maximize group creativity—to make the whole more than the sum of its parts—is to encourage a candid discussion of mistakes. In part, this is because the acceptance of error reduces cost. When you believe your flaws will be quickly corrected by the group, you're less worried about perfecting your contribution, which leads to a more candid conversation. We can only get it right when we talk about what we got wrong.

The problem with listening, of course, is that we don't. There's too much noise going on in our heads, so we never hear anything. The inner conversation simply never stops. It can be our voice or whatever voices we want to supply, but it's a constant racket. In the same way we don't see, and in the same way we don't feel, we don't touch, we don't taste.

After doing this work or the past twelve years and watching scarcity ride roughshod over our families, organizations, and communities, I'd say the one thing we have in common is that we're sick of feeling afraid. we want to dare greatly. We're tired of the national conversation centering on "What should we fear" and "Who should we blame?" We all want to be brave.

The game is just one long conversation, and I'm anticipating that, and I will say things like 'Did you know that?' or 'You're probably wondering why.' I'm really just conversing rather than just doing play-by-play. I never thought of myself as having a style. I don't use key words. And the best thing I do? I shut up.

The assault on our body image, the hypersexualization of girls and women and subsequent degradation of our sexuality as we walk through the decades, and the general incessant objectification is what this conversation allegedly about my face is really about.

In conversation the game is, to say something new with old words. And you shall observe a man of the people picking his way along, step by step, using every time an old boulder, yet never setting his foot on an old place.

Its a beautiful woman's fate to be the subject of conversation where ever she goes

A good maxim allows you to have the last word without even starting a conversation.

I remember I was walking through a store, and I saw clothes a 25-year-old would wear. And the conversation in my head was, 'I'm not young and fabulous anymore.' But, immediately, there was a voice that said, 'No, you can be older and fabulous.' In other words, still just as fabulous, but in a different way.

No profession or occupation is more pleasing than the military; a profession or exercise both noble in execution (for the strongest, most generous and proudest of all virtues is true valor) and noble in its cause. No utility either more just or universal than the protection of the repose or defense of the greatness of one's country. The company and daily conversation of so many noble, young and active men cannot but be well-pleasing to you.

There is no such thing as realistic dialogue. If you [simply recorded] the real conversation of any people and played it back from the stage, it would be impossible to listen to. It would be redundant . . . . The good dialogue writer is the one who can give you the impression of real speech.

Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables.

It was impossible to get a conversation going, everybody was talking too much.

Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, “and what is the use of a book,” thought Alice, “without pictures or conversation?

To get real diversity of thought, you need to find the people who genuinely hold different views and invite them into the conversation.

The call for diversity is about recognizing that in order to be in the conversation come awards season, it goes back to the content that is being produced.