Quotes on Exposure

Books about spies and traitors - and the congressional hearings that follow the exposure of traitors - generally assume that false-negative errors are much worse than false-positive errors.

We are such stuff as dreams are made on; and our little life is rounded with a sleep.

I think that cinema and the arts are central in our lives because we grow up and learn about the world through our exposure to stories. Parents use them as a tool to teach their children fundamental truths and values, much as adults can view them to gain exposure to cultures and individuals that they'd never be able to view in their own lives.

I think in particular of our need to speak to the hearts of young people, who, despite their constant exposure to messages contrary to the Gospel, continue to thirst for authenticity, goodness and truth. Much remains to be done, particularly on the level of preaching and catechesis in parishes and schools, if the new evangelization is to bear fruit for the renewal of ecclesial life in America.

I'm not stupid enough to think that I can deal with another 10 or 15 years of major exposure. I think that is the ultimate tragedy of fame... People who are simply out of control, who are lost. I've seen so many of them, and I don't want to be another cliche.

God doesn't promise security from life's storms but security in life's storms. God doesn't always call the equipped, but he will always equip the called. In the long run, avoiding danger is no safer than outright exposure. The fearful are caught as often as the bold.

Security is mostly a superstition. It does not exist in nature.

I began drawing as a very young child and had a grandfather who experimented with photography, so those things constituted my first exposure to art.

The willingness to reach inside every part of yourself opens the door to total understanding. You place your entire identity on the line, not just an isolated part. This may sound daunting, but actually it’s the most natural way to approach any situation. When you hold some part of yourself in reserve you deny it exposure to life; you repress its energy and keep it form understanding what it needs to know.

There are three elements of mountaineering - difficulty, danger, and exposure. Difficulty is the technical aspect of it. Danger, it is best to avoid, but some people like to increase danger to a point where their success is dependent only on luck. And exposure, which is what truly defines Alpinism, is what you face in wild nature.

Democracy is not about trust; it is about distrust. It is about accountability, exposure, open debate, critical challenge, and popular input and feedback from the citizenry. It is about responsible government. We have to get our fellow Americans to trust their leaders less and themselves more, trust their own questions and suspicions, and their own desire to know what is going on.

Vulnerability is basically uncertainty, risk, and emotional exposure.

A widening circle of researchers believes that the loss of natural habitat, or the disconnection from nature even when it is available, has enormous implications for human health and child development. They say the quality of exposure to nature affects our health at an almost cellular level.

One day's exposure to mountains is better than a cartload of books.

When we travel, we are like a film at the moment of exposure; it is memory that will develop it.

Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.

I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.

Just as the commandment 'Thou shalt not kill' sets a clear limit in order to safeguard the value of human life, today we also have to say 'thou shalt not' to an economy of exclusion and inequality. Such an economy kills. How can it be that it is not a news item when an elderly homeless person dies of exposure, but it is news when the stock market loses two points?

The redeeming feature of war is that it puts a nation to the test. As exposure to the atmosphere reduces all mummies to instant dissolution, so war passes supreme judgment upon social systems that have outlived their vitality.

Why not, when it can be done without exposure or expense, let me rescue some of America's miserable children from vice and guilt?

I see my finished platinum print (in the viewfinder) in all its desired qualities, before my exposure.