What a writer can do, what a fiction writer or a poet or an essay writer can do is re-engage people with their own humanity.
Barbara KingsolverRead
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What a writer can do, what a fiction writer or a poet or an essay writer can do is re-engage people with their own humanity.
Nowadays, it is no longer possible to maintain that the Nazi-Soviet pact of 23 August 1939 was a fiction invented by bourgeois-imperialist enemies. Everyone has seen the film clips of Herr Ribbentrop landing in Moscow, and of Stalin smiling broadly as Ribbentrop and Molotov signed up side by side.
I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me.
Who says that fictions only and false hair_x000D_ Become a verse? Is there in truth no beauty?_x000D_ Is all good structure in a winding stair?
Some dreams we have are nothing else but dreams, Unnatural and full of contradictions; Yet others of our most romantic schemes, Are something more than fictions.
There's no doubt that scientific training helps many authors to write better science fiction. And yet, several of the very best were English majors who could not parse a differential equation to save their lives.
Oddly enough, my favorite genre is not fiction. I'm attracted by primary sources that are relevant to historical questions of interest to me, by famous old books on philosophy or theology that I want to see with my own eyes, by essays on contemporary science, by the literatures of antiquity.
Fiction is a piece of truth that turns lies to meaning.
I see God now as an unimaginative writer of popular fictions, someone who builds stories around sadistic and graceless plots, narratives that exist only to express His terror of a woman's power to choose who and how to love, to redefine love as she sees fit, not as God thinks it ought to be. The author is unworthy of His own characters.
I can write with authority only about what I know well, which means that I end up using surface details of my own life in my fiction.
The study of law left me unsatisfied, because I did not know the aspects of life which it serves. I perceived only the intricate mental juggling with fictions that did not interest me.
To provide background and physical description and all the rest is of course vital to fiction, but vital only insofar as such detail is in the service of a richly imagined story, rather than in the service of good botany or good philosophy or good geography.
Reading fiction not only develops our imagination and creativity, it gives us the skills to be alone. It gives us the ability to feel empathy for people we've never met, living lives we couldn't possibly experience for ourselves, because the book puts us inside the character's skin.
I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.
A writer of fiction lives in fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.
Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.
I think one of the reasons that I like fiction versus nonfiction is that I myself can kind of disappear from the story.
This is the beauty of fiction. We may not like these characters, but we inhabit them.
It's funny with fiction - once you cut something, it hasn't happened anymore.
Normal television limits what you can do. With science fiction, you can exercise your imagination more. I fell in love with it.
Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave. I never get over being thankful for that - for the courage of my readers.
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