Quotes on Gallery

Better guide the young than reclaim them when old For the voice of true wisdom is calling "To rescue the fallen is good, but tis best To prevent other people from falling" Better close up the source of temptation and crime Than deliver from dungeon or gallery Better put a strong fence round the top of the cliff Than an ambulance down in the valley.

It's the first time in the history of the world that creatives are also distributors. And that's very profound if you think that up until the recent history, permission was required for us to be able to share work at any sort of scale. We had to get permission from galleries, from ad agencies or photo editors to be able to have our work out there. And now anybody with access to a computer can show their work in 200 countries around the world.

A peculiar virtue in wildlife ethics is that the hunter ordinarily has no gallery to applaud or disapprove of his conduct

As it unfolded, the structure of the story began to remind me of one of those Russian dolls that contain innumerable ever-smaller dolls within. Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections.

Which painting in the National Gallery would I save if there was a fire? The one nearest the door of course.

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.

When you go to an art gallery you are simply a tourist looking at the trophy cabinet of a few millionaires.

I just don't think that the differences you make by donating to a museum or an art gallery really compare to the differences you make by donating to the charities that fight global poverty.

I had given up ( around 1950, fh) any ambition of making a career as an artist…..I had lost all interest in the art shown in galleries and museums, and I no longer aspired to fit in that world. I loved the paintings done by children, and my only desire was to do the same for my own pleasure.

If you think about the way we experience art, the paradigm is still Western European. If I go to the National Gallery, what am I going to see the most of? I'm not going to see a whole lot of black figures in pictures.

I want people to come to me open and vulnerable. When they come to the gallery, they have to leave their watches, their computers, their Blackberrys, iPads, iPhones, because we are so incredibly used to technology, and I wanted to remove that.

Because each photograph is only a fragment, its moral and emotional weight depends on where it is inserted. A photograph changes according to the context in which it is seen: thus Smith's Minamata photographs will seem different on a contact sheet, in a gallery, in a political demonstration, in a police file, in a photographic magazine, in a book, on a living-room wall. Each o these situations suggest a different use for the photographs but none can secure their meaning.

I think that still, for the most part, even in 2010, the vast majority of museum shows and gallery shows and gallerists are pretty much dominated by men. So having a sense of what women are up to, for me, frankly, is very, very important.

Trying to exhaust himself, Vaughan devised an endless almanac of terrifying wounds and insane collisions: The lungs of elderly men punctured by door-handles; the chests of young women impaled on steering-columns; the cheek of handsome youths torn on the chromium latches of quarter-lights. To Vaughan, these wounds formed the key to a new sexuality, born from a perverse technology. The images of these wounds hung in the gallery of his mind, like exhibits in the museum of a slaughterhouse.

Provided we can escape from the museums we carry around inside us, provided we can stop selling ourselves tickets to the galleries in our own skulls, we can begin to contemplate an art which re-creates the goal of the sorcerer: changing the structure of reality by the manipulation of living symbols ... Art tells gorgeous lies that come true.

Bracketing has turned all my experiences, remembered and present, into a gallery of miracles where I wander around dazzled by the beauty of events I cannot explain.

Those who turn against the Church do so to play to their own private gallery, but when, one day, the applause has died down and the cheering has stopped, they will face a smaller audience, the judgment bar of God.

It was my father's hope, and it is ours, that the National Gallery would become not a static but a living institution, growing in usefulness and importance to artists, scholars and the general public.

The distinction between a gallery and a museum is enormous. The gallery is about looking at a thing of beauty; the purpose of the activity is an aesthetic response. The museum is actually about the object that lets you get into somebody else's life.

History is a gallery of pictures in which there are few originals and many copies.

The sky is the ultimate art gallery just above us.