Quotes on Image

What the public wants is the image of passion, not passion itself.

Nothing I force myself to write about ever turns out well, and so I've learned to wait for the voice, the incident, the image that reverberates.

America is known as a country that welcomes people to its shores. All kinds of people. The image of the Statue of Liberty with Emma Lazarus' famous poem. She lifts her lamp and welcomes people to the golden shore, where they will not experience prejudice because of the color of their skin, the religious faith that they follow.

We vainly fancy ourselves above the ugly informing and paranoia of the right-wing McCarthy era, but in the 21st century, the Left has fashioned a mirror image.

In the United States, man does not feel that he has been torn from the center of creation and suspended between hostile forces. He has built his own world, and it is built in his own image: it is his mirror. But now he cannot recognize himself in his inhuman objects, nor in his fellows.

By binding image and desire, glamour gives us pleasure, even as it heightens our yearning. It leads us to feel that the life we dream of exists, and to desire it even more.

Hordes of young girls never copied my hairdos or the way I talk or the way I dress. I have, therefore, never had to go through the stress of perpetuating an image that's often the equivalent of one particular song that forever freezes a precise moment of one's youth.

The writing I love has something memorable in it - an image, a smell. It's the connection between the moment and the whole concept, weaving the micro together with the macro so that it has a hold on people - that's writing.

I think drag is universal, no matter who does it. I mean, yeah, I am homosexual, but I think everybody likes to toy with their image. I love those guys. I love Milton Berle and Flip Wilson and all those people.

I want to help correct the inaccurate image of immigration in the media. There is an idea that women's issues are over here and immigration is over there. Three quarters of undocumented workers are women and children.

I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?

Without health life is not life; it is only a state of langour and suffering - an image of death.

People want athletes to cater to their image of what an athlete should be, but they also want them to fail so they can feel like their screwups are all right. If I make a priority shift, I'll make it because it's best for me.

The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.

I don't know that any of us can control our own image. We are what other people see.

One of poetry's great effects, through its emphasis upon feeling, association, music, and image - things we recognize and respond to even before we understand why - is to guide us toward the part of ourselves so deeply buried that it borders upon the collective.

Here's the reality. The image of a white Jesus has been used to justify enslavement, conquest, colonialism, the genocide of indigenous peoples. There are literally millions of human beings whose lives have been snuffed out by people who conquered under the banner of a white god.

To seek after any shape of God, and to assign a form and image to Him, is a proof of man's folly. For God, whosoever he be (if haply there be any other but the world itself), and in what part soever resident, all sense He is, all sight, all hearing: He is the whole of the life and of the soul, all of Himself.

If photographers are responsible for creating or reflecting an image of women in society, then, I must say, there is only one way for the future, and this is to define women as strong and independent. This should be the responsibility of photographers today: to free women, and finally everyone, from the terror of youth and perfection.

In the 'Nude Descending a Staircase,' I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn't descending an equally real staircase.

Everyone wants to be seen. Everyone wants to be heard. Everyone wants to be recognized as the person that they are and not a stereotype or an image.