Being human is itself difficult, and therefore all kinds of settlements (except dream cities) have problems. Big cities have difficulties in abundance, because they have people in abundance.
Jane JacobsRead
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Being human is itself difficult, and therefore all kinds of settlements (except dream cities) have problems. Big cities have difficulties in abundance, because they have people in abundance.
Can any one be so indifferent or idle as not to care to know by what means, and under what kind of polity, almost the whole inhabited world was conquered and_x000D_ brought under the dominion of the single city of Rome, and that too within a period of not quite fifty-three years?
The moment a man questions the meaning and value of life, he is sick, since objectively neither has any existence; by asking this question one is merely admitting to a store of unsatisfied libido to which something else must have happened, a kind of fermentation leading to sadness and depression.
For what endless years this life will have to go on! He felt, with a kind of horror, his own strong youth and the bounding blood in his veins.
Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.
Concepts, like individuals, have their histories and are just as incapable of withstanding the ravages of time as are individuals. But in and through all this they retain a kind of homesickness for the scenes of their childhood.
Black artists are encouraged to explore their identity but are then pigeonholed according to their ethnicity. We may have seen the decline of old racism, but we are witnessing a new kind of racialising.
The dumbing down of America is evident in the slow decay of substantive content, a kind of celebration of ignorance.
It is a critical job of any entrepreneur to maximize creativity, and to build the kind of atmosphere around you that encourages people to have ideas. That means open structures, so that accepted thinking can be challenged.
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
Being gay is not something that defines me. What defines me is what my mom always taught me: to treat everyone with respect, to always be a hard worker, and to be kind.
When you're young, you don't really know quite what you're aiming at. You're very impulsive and acting on impulse, which is very important and valuable. But you're kind of swimming in a blind sea. When you get older, you have more of a sense of direction.
There is a kind of elevation which does not depend on fortune; it is a certain air which distinguishes us, and seems to destine us for great things; it is a price which we imperceptibly set upon ourselves.
My driving philosophy about making music is that you can reduce it all down to one note if that note is played with the right kind of sincerity.
Our offices must always be headed by the kind of men who command respect. Not phonies, zeros or bastards.
What I need is a woman who is something, anything: either very beautiful or very kind or in the last resort very wicked; very witty or very stupid, but something.
The meaning of song goes deep. Who in logical words can explain the effect music has on us? A kind of inarticulate, unfathomable speech, which leads us to the edge of the infinite, and lets us for a moment gaze into that!
I have a thick skin, which comes from being a not-really-skinny, dark-skinned Indian woman. I haven’t fit in every place, and so I’m kind of used to resistance.
It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable oppression of a kind of civic magic which will soon be seen appearing openly in social behavior.
A great deal has been said about love at first sight; I am perfectly aware of love's retrospective tendency to make a legend of itself, turn its beginnings into myth; so I don't want to assert that it was love; but I have no doubt there was a kind of clairvoyance at work: I immediately felt, sensed, grasped the essence of Lucie's being or, to be more precise, the essence of what she was later to become for me; Lucie had revealed herself to me the way religious truth reveals itself.
You want a poem to unsettle something. There's a deep and interesting kind of troubling that poems do, which is to say, 'This is what you think you're certain of, and I'm going to show you how that's not enough. There's something more that might be even more rewarding if you're willing to let go of what you already know.'
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